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| Cotton Candy / Sugar Lips |
| Al Hirt |
első megjelenés éve: 1964
55 perc |
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| (1999)
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CD |
| 4.045 Ft
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| 1. | Cotton Candy
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| 2. | Hello, Dolly!
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| 3. | Django's Castle
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| 4. | Moo Moo
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| 5. | Last Date
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| 6. | Big Man
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| 7. | Walkin'
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| 8. | Too Late (Trop Tard)
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| 9. | Rumpus
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| 10. | Melissa
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| 11. | Walkin' With Mr. Lee
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| 12. | Twelfth Street Rag
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| 13. | Sugar Lips
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| 14. | The Girl from Ipanema
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| 15. | Tenderly
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| 16. | Up Above My Head (I Hear Music in the Air)
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| 17. | Milano
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| 18. | Indiana (Back Home Again In)
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| 19. | Pink Confetti
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| 20. | Poupee Brisee (Broken Doll)
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| 21. | September Song
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| 22. | New Orleans, My Home Town
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| 23. | Night Life
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| 24. | Lookin' for the Blues
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Jazz / Dixieland, New Orleans Jazz Revival
Al Hirt - trumpet
Dorothy Norwood
Mark Marymont Liner Notes
2 LPs on 1 CD:
* COTTON CANDY(1964)
* SUGAR LIPS(1964)
Sweet, sweet music from one of the best-known trumpeters of all time - Al Hirt. Hirt explored the worlds of Jazz, Pop, and Classical, but it was his treatments of Dixieland Jazz for which he is best known - the two 1964 albums collected together on this single CD bring you 24 tracks of Dixieland Jazz at its best.
In 1999, Collectables released Cotton Candy/Sugar Lips, which contained two complete albums -- Cotton Candy (1964, originally released on RCA) and Sugar Lips (1964, originally released on RCA) -- by Al Hirt on one compact disc. ~ Jason Birchmeier, All Music Guide
Al Hirt
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: Nov 07, 1922 in New Orleans, LA
Died: Apr 27, 1999 in New Orleans, LA
Genre: Jazz
Styles: Dixieland, Dixieland Revival
A virtuoso on the trumpet, Al Hirt was often "overqualified" for the Dixieland and pop music that he performed. He studied classical trumpet at the Cincinnati Conservatory (1940-1943) and was influenced by the playing of Harry James. He freelanced in swing bands (including both Tommy and Jimmy Dorsey, and Ray McKinley) before returning to New Orleans in the late '40s and becoming involved in the Dixieland movement. He teamed up with clarinetist Pete Fountain on an occasional basis from 1955 on, and became famous by the end of the decade. An outstanding technician with a wide range, along with a propensity for playing far too many notes, Hirt had some instrumental pop hits in the 1960s. He also recorded swing and country music, but mostly stuck to Dixieland in his live performances. He remained a household name throughout his career, although one often feels that he could have done so much more with his talent. Hirt's early Audiofidelity recordings (1958-1960) and collaborations with Fountain are the most rewarding of his long career; he died at his home in New Orleans on April 27, 1999.
---Scott Yanow, All Music Guide |
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