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The Legend at His Best |
Al Hirt |
első megjelenés éve: 1965 |
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(2000)
[ LIMITED ]
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2 x CD |
6.705 Ft
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1. CD tartalma: |
1. | I Can't Get Started
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2. | Java
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3. | Man With a Horn
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4. | Tansy
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5. | Night Theme
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6. | Talkin' 'Bout That River
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7. | Fly Me to the Moon
In Other Words
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8. | To Be in Love
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9. | Al-Di-La
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10. | Malibu
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11. | Theme from a Dream
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12. | I'm Movin' On
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13. | Fancy Pants
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14. | Danny Boy
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15. | Long Walk Home
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16. | The Contrary Waltz
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17. | Fiddler on the Roof
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18. | None But the Lonely Heart
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19. | Alley Cat
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20. | Stardust
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21. | Butterball
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22. | Over the Rainbow
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23. | You Took Advantage of Me
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24. | Flowers and Candy
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2. CD tartalma: |
1. | Cotton Candy
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2. | Hello, Dolly!
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3. | Django's Castle
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4. | Moo Moo
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5. | Last Date
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6. | Big Man
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7. | Walkin'
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8. | Too Late
Trop Tard
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9. | Rumpus
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10. | Melissa
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11. | Walkin' With Mr. Lee
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12. | Twelfth Street Rag
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13. | Sugar Lips
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14. | The Girl from Ipanema
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15. | Tenderly
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16. | Up Above My Head I Hear Music in the Air
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17. | Milano
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18. | Back Home Again In Indiana
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19. | Pink Confetti
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20. | Brisse, Poupee
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21. | September Song
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22. | New Orleans, My Home Town
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23. | Night Life
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24. | Lookin' for the Blues
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Jazz / Dixieland; Dixieland Revival
4 LPs on 2 CDs
Disc 1 HONEY IN THE HORN (1963) THAT HONEY HORN SOUND (1965)
Disc 2 COTTON CANDY (1964) SUGAR LIPS (1964)
Al Hirt
Active Decades: '50s, '60s, '70s, '80s and '90s Born: Nov 07, 1922 in New Orleans, LA Died: Apr 27, 1999 in New Orleans, LA Genre: Jazz Styles: Dixieland, Dixieland Revival
A virtuoso on the trumpet, Al Hirt was often "overqualified" for the Dixieland and pop music that he performed. He studied classical trumpet at the Cincinnati Conservatory (1940-1943) and was influenced by the playing of Harry James. He freelanced in swing bands (including both Tommy and Jimmy Dorsey, and Ray McKinley) before returning to New Orleans in the late '40s and becoming involved in the Dixieland movement. He teamed up with clarinetist Pete Fountain on an occasional basis from 1955 on, and became famous by the end of the decade. An outstanding technician with a wide range, along with a propensity for playing far too many notes, Hirt had some instrumental pop hits in the 1960s. He also recorded swing and country music, but mostly stuck to Dixieland in his live performances. He remained a household name throughout his career, although one often feels that he could have done so much more with his talent. Hirt's early Audiofidelity recordings (1958-1960) and collaborations with Fountain are the most rewarding of his long career; he died at his home in New Orleans on April 27, 1999. ---Scott Yanow, All Music Guide |
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