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Dixieland Jazz
Len Barnard's Jazz Band, Len Barnard
első megjelenés éve: 2008
(2008)

CD
3.821 Ft 

 

IMPORT!
Kosaramba teszem
1.  Moose March --
2.  Big Fat Ma and Skinny Pa
3.  Texas Moaner
4.  Wait Till You See My Baby Do the Charleston
5.  Lord, Let Me in the Lifeboat
6.  Mr. Jelly Lord
7.  Stomp Off, Let's Go
8.  Down By the Riverside
9.  Electric Chair Blues
10.  Ostrich Walk
11.  Apex Blues
12.  Oh, Baby
13.  Bombay Blues
14.  Liza
15.  Everybody Loves My Baby
Jazz

Recorded:
Tracks1-7: Melbourne, Australia in 1952

Len Barnard's Jazz Band
featuring his younger brother Bob on cornet. Songs include: Moose March, Texas Moaner and Mr. Jelly Lord plus 4 more

Len Barnard's Jazz Band
Bob Barnard (cor)
Frank Traynor (trom)
Earl Bray (cl)
Greg Clarke (pno)
Peter Cleaver (bjo)
Bill Fredrickson (tuba)
Len Barnard (dr)

Tracsk 8-15: Dayton, OH in 1954

The Gin Bottle Seven
Carl Halen (cor), Bob Butters (trom), Martin Kollstedt (cl), Fred Gary (pno), Jan Carroll (bjo), John Pollock (tuba), Tom Heyer (dr)

Enjoy Two Great Dixieland Jazz Bands on 1 CD!



Len Barnard

Len "Sluggsie" Bernard was born in Melbourne in 1929. After playing drums in the family band, Barnard formed his own traditional jazz band in the late 40s. This band, one of the earliest Australian groups to make jazz records, was so popular that it remained active for more than two decades. During this same period Barnard also played with other groups, ranging through jazz to dance music and he also gigged and recorded with many musicians, including Ade Monsbourgh and Dave Dallwitz. In the early 70s, Barnard relocated to Sydney where he played with many of the country''s leading musicians including Errol Buddle and John Sangster, then joined Galapagos Duck, a band led by Tom Hare. He also played on occasion with bands led by his younger brother, Bob Barnard. In the late 90s he was active with many varied artists and appeared on record with several of them, including Janet Seidel. Forceful though his playing is in the more extrovert traditional jazz setting of much of his work, Barnard''s discreet and propulsive swing, and his able use of brushes, show him to be an accomplished mainstream drummer.

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