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| 3.726 Ft
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| 1. | Cheeka's Dance
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| 2. | Slo Booze
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| 3. | Moon River
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| 4. | Everything Must Change
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| 5. | Groove's Groove
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| 6. | Minor Inconvenience
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| 7. | Ode to Larry Young
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| 8. | Katherine
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| 9. | Plenty, Plenty Blues
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Jazz
Recorded on December 2, 1980 & February 24, 1988
Richard "Groove" Holmes - Organ
Bobby Ward - Drums
Cecil Bridgewater - Trumpet
Cecil Brooks III - Drums
Gerald "Eli" Smith - Guitar
Houston Person - Producer, Sax (Tenor)
Jimmy Ponder - Guitar
Ralph Dorsey - Conga, Percussion
* Bill Milkowski - Liner Notes
* Dan Marx - Production Coordination
* J.J. Stelmach - Art Direction, Cover Illustration
* Paul Reid III - Digital Mastering, Reissue Engineer
* Rudy Van Gelder - Engineer
* Scott Johnson - Graphic Design
* Steve Backer - Series Producer
* Steve Vining - Executive Producer
This edition of Savoy's Timeless series delves into cuts taken from Richard "Groove" Holmes' albums Blues All Day Long and Broadway, originally recorded for the Muse label. These nine tracks have been remastered using 24-bit digital transfers from the original acetates and tape masters. Hearing these tracks freshened up is a pleasure and should satisfy even the picky audiophile.
---Al Campbell, All Music Guide
Richard "Groove" Holmes
Active Decades: '50s, '60s, '70s, '80s and '90s
Born: May 02, 1931 in Camden, NJ
Died: Jun 29, 1991 in St. Louis, MO
Genre: Jazz
Styles: Soul-Jazz, Hard Bop
Revered in soul-jazz circles, Richard "Groove" Holmes was an unapologetically swinging Jimmy Smith admirer who could effortlessly move from the grittiest of blues to the most sentimental of ballads. Holmes, a very accessible, straightforward and warm player who was especially popular in the black community, had been well respected on the Philadelphia/Southern New Jersey circuit by the time he signed with Pacific Jazz in the early '60s and started receiving national attention by recording with such greats as Ben Webster and Gene Ammons. Holmes, best known for his hit 1965 version of "Misty," engaged in some inspired organ battles with Jimmy McGriff in the early '70s before turning to electric keyboards and fusion-ish material a few years later. The organ was Holmes' priority in the mid- to late '80s, when he recorded for Muse. Holmes was still delivering high-quality soul-jazz for that label (often featuring tenor titan Houston Person) when a heart attack claimed his life at the age of 60 in 1991.
---Alex Henderson, All Music Guide |
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