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New Groove
Richard 'Groove' Holmes
első megjelenés éve: 2007
(2007)

CD
4.076 Ft 

 

IMPORT!
Kosaramba teszem
1.  Red Onion
2.  No Trouble on the Mountain
3.  Meditation
4.  Good Vibrations
5.  You've Got It Bad
6.  Chu-Chu
7.  How Insensitive
Jazz / Soul-Jazz, Hard Bop

Richard "Groove" Holmes - Organ
Bernard "Pretty" Purdie - Drums
Burt Collins - Trumpet
Eddie Daniels - Flute, Piccolo, Sax (Tenor)
Ernie Royal - Trumpet
Jon Faddis - Trumpet
Kwasi Jayourba - Percussion
Leon Cook - Guitar
Marvin Stamm - Trumpet
O'Donel Levy - Guitar

* Malcolm Addey - Engineer
* Roy Di Tosti - Photography
* Sam Alexander - Art Direction, Cover Photo
* Sam Feldman - Mastering
* Sonny Lester - Producer

New Groove is an enjoyable if minor early-'70s soul-jazz outing from organist Richard "Groove" Holmes. Featuring a mix of originals, standards, and pop tunes, the album revolves around Holmes' funky organ chops. Holmes makes the most out of the groove-oriented leadoff track, "Red Onion," with its insistent bassline. Similarly engaging is Antonio Carlos Jobim's "How Insensitive," which gets a laid-back treatment that manages to be kitschy and hip at the same time.
---Matt Collar, All Music Guide



Richard "Groove" Holmes

Active Decades: '50s, '60s, '70s, '80s and '90s
Born: May 02, 1931 in Camden, NJ
Died: Jun 29, 1991 in St. Louis, MO
Genre: Jazz
Styles: Soul-Jazz, Hard Bop

Revered in soul-jazz circles, Richard "Groove" Holmes was an unapologetically swinging Jimmy Smith admirer who could effortlessly move from the grittiest of blues to the most sentimental of ballads. Holmes, a very accessible, straightforward and warm player who was especially popular in the black community, had been well respected on the Philadelphia/Southern New Jersey circuit by the time he signed with Pacific Jazz in the early '60s and started receiving national attention by recording with such greats as Ben Webster and Gene Ammons. Holmes, best known for his hit 1965 version of "Misty," engaged in some inspired organ battles with Jimmy McGriff in the early '70s before turning to electric keyboards and fusion-ish material a few years later. The organ was Holmes' priority in the mid- to late '80s, when he recorded for Muse. Holmes was still delivering high-quality soul-jazz for that label (often featuring tenor titan Houston Person) when a heart attack claimed his life at the age of 60 in 1991.
---Alex Henderson, All Music Guide

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