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2 x CD |
| 3.873 Ft
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| 1. CD tartalma: |
| 1. | Wang Wang Blues
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| 2. | How Come You Do Me Like You Do?
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| 3. | Clarinet Marmalade
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| 4. | Alcoholic Blues
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| 5. | Pretty Baby
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| 6. | Some of These Days
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| 7. | Dippermouth Blues
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| 8. | St. Louis Blues
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| 9. | That's a Plenty
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| 10. | Coney Island Washboard
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| 11. | Beale Street Mama
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| 12. | Wolverine Blues
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| 13. | South
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| 14. | Chicago
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| 15. | Sailing Down Chesapeake Bay
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| 16. | Melancholy
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| 17. | Blues My Naughty Sweetie Gives to Me
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| 18. | Do You Know What It Means to Miss New Orleans?
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| 19. | I Wish I Was in Peoria
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| 20. | Of All the Wrongs You've Done to Me
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| 21. | Ace in the Hole
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| 22. | Silver Dollar
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| 23. | Long Gone
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| 24. | Hindustan
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| 25. | A Huggin' and a Chalkin'
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| 26. | Everything Is Peaches Down in Georgia
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| 27. | Big Butter and Egg Man
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| 28. | Sidewalk Blues
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| 2. CD tartalma: |
| 1. | Battle Hymn of the Republic
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| 2. | Someday Sweetheart
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| 3. | Parsons, Kansas Blues
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| 4. | Strange Blues
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| 5. | Memphis Blues
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| 6. | Down in Jungletown
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| 7. | Sweet Georgia Brown
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| 8. | Beale Street Blues
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| 9. | Mobile
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| 10. | Friendless Blues
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| 11. | Careless Love
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| 12. | Bill Bailey
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| 13. | When That Midnight Choo Choo Leaves for Alabam'
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| 14. | St. James Infirmiry
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| 15. | Home
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| 16. | At the Devil's Ball
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| 17. | St. Louis Blues
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| 18. | Angry
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| 19. | Ain't Gonna Give Nobody None of My Jellyroll
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| 20. | Love Me or Leave Me
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| 21. | I Want to Go Back to Michigan (Down on the Farm)
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| 22. | You Can Depend on Me
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| 23. | Lights out Blues [Improvised]
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Jazz / Dixieland
Bob Scobey - Trumpet, Vocals
Clancy Hayes - Banjo, Guitar, Vocals
Albert Nicholas - Clarinet
Bill Dart - Drums
Bill Napier - Clarinet, Clarinet (Bass)
Bill Newman - Banjo, Guitar, Vocals
Bob Mielke - Trombone
Bob Short - Tuba
Burt Bales - Piano
Darnell Howard - Clarinet
Dick Lammi - Bass
Earl Watkins - Drums
Ernie Lewis - Piano
Fred Higuera - Drums
George Probert - Clarinet, Sax (Soprano)
Gordon Edwards - Drums
Hal McCormick - Bass
Squire Girsback - Bass, Tuba
Wally Rose - Piano
This set provides all of the Scobey band recordings from 1948 to July 1955. Including the first issues from Scobey's own Ragtime Records which have never previously been available on CD. Also includes sessions with the artists Darnell Howard and Albert Nicholas. Featuring popular tunes like 'Clarinet Marmalade' and the famous composition of 'St. Louis Blues' which occurs twice as an instrumental.
* George Hulme - Compilation, Concept
* Nesuhi Ertegun - Session Producer
Trumpeter Bob Scobey (1916-1963) developed his chops playing second trumpet with Lu Watters and the Yerba Buena Jazz Band during the 1940s. That group's legacy has been preserved in the four-CD box set The Complete Good Time Jazz Recordings. A wonderful sequel to that anthology was released by Jasmine records in 2007 under the heading of Frisco Jazz 1948-1955. Focusing upon the earliest recordings made under Scobey's name and featuring at times the popular singing banjoist Clancy Hayes, this 51-track double-CD opens with four previously rare sides cut by Scobey and Co. under the name of Alexander's Jazz Band in 1948 and issued on Scobey's own Ragtime Records. For those who are hypersensitive to this kind of music, the prospect of a hitherto little known rendition of the "Wang Wang Blues" could conceivably justify investing in the entire album. The obvious reason to pounce on this compilation is the fact that it stands as one of the very best and most comprehensive Scobey retrospectives ever assembled using the compact disc format. Tracks 5-28 document six different sessions that took place in San Francisco between April 1950 and November 1953. These excellent traditional jazz recordings were produced by Nesuhi Ertegun and issued on the Good Time Jazz record label. (They were anthologized at one point as The Scobey Story, Vols. 1 & 2.) Most importantly, tracks five-eight feature clarinetist Darnell Howard and tracks nine-twelve feature clarinetist Albert Nicholas. The rest of this compilation consists of material recorded in Los Angeles in January and July, 1955, and released on the LPs Bob Scobey's Frisco Band and Scobey and Clancy. These records were designed for informal patio parties, picnics, and beery barbecues. Clancy Hayes enjoyed popularity with the same public that would soon go in for Sing Along with Mitch. Scobey's Dixieland still has an enduring charm all its own. Some will prefer the instrumentals, but on the level, just like back in 1955, if you want Scobey, you're probably going to hear from Clancy and it's entirely possible that you'll end up singing, too. Don't let's rule that out.
---arwulf arwulf, All Music Guide
Bob Scobey
Active Decades: '50s and '60s
Born: Dec 09, 1916 in Tucumcari, NM
Died: Jun 12, 1963 in Montreal, Quebec, Canada
Genre: Jazz
Styles: Dixieland
Throughout his prime years, Bob Scobey was one of the more popular trumpeters in Dixieland. After many low-profile jobs in dance bands in the 1930s, in 1938 Scobey met trumpeter Lu Watters. As a member of Watter's Yerba Buena Jazz Band in San Francisco during 1940-1949 (with much of 1942-1946 spent in the military), Scobey participated in one of the most influential bands of the Dixieland revival movement. In 1949 he left to form his own Frisco Jazz Band, recording frequently (most notably for Good Time Jazz), and often featuring Clancy Hayes or appearing with Lizzie Miles. In 1959 Scobey opened his Club Bourbon Street in Chicago but four years later he died at the age of 46 from cancer. Many of Bob Scobey's Good Time Jazz dates have been reissued on CD and they still contain stirring and joyful music.
---Scott Yanow, All Music Guide |
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