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The Town Hall Concerts, Volume Five [ ÉLŐ ]
Eddie Condon
első megjelenés éve: 1994
(1994)

2 x CD
6.400 Ft 

 

IMPORT!
Kosaramba teszem
1. CD tartalma:
1.  Love Nest
2.  Love Nest
3.  Big Noise from Winnetka
4.  Big Butter and Egg Man
5.  The Blues by Pee Wee Russell
6.  Heebie Jeebies
7.  Impromptu Ensemble
8.  (I Would Do) Anything for You
9.  At the Jazz Band Ball
10.  (I Would Do) Anything for You
11.  Rosetta
12.  I Want to Be Happy
13.  Keep Smiling at Trouble
14.  Waiting for the Evening Whistle
15.  Bugle Call Rag
 
2. CD tartalma:
1.  Euphonic Sounds
2.  That's A-Plenty
3.  Sentimental Baby
4.  Euphonic Sounds
5.  If Dreams Come True
6.  Easter Parade
7.  Crickett Jumps
8.  Relaxin' at the Touro
9.  Impromptu Ensemble
10.  Poor as a Churchmouse
11.  Wherever There's Love (There's You and Me)
12.  Impromptu Ensemble
13.  (I Would Do) Anything for You
14.  Rosetta
15.  Memphis Blues
16.  There'll Be Some Changes Made
17.  (I Would Do) Anything for You
Jazz

Eddie Condon - Guitar, Main Performer, MC
Billy Butterfield - Trumpet
Bob Haggart - Bass, Performer, Whistle (Human)
Bobby Hackett - Cornet
Caceres - Performer
Cole - Performer
Cozy Cole - Drums
Edmond Hall - Clarinet
Ernie Caceres - Performer, Sax (Baritone)
Gene Krupa - Drums, Performer
Gene Schroeder - Performer, Piano
Jack Lesberg - Drums
James P. Johnson - Performer, Piano
Jess Stacy - Piano
Joe Grauso - Drums
Lee Wiley - Vocals
Max Kaminsky - Trumpet
Miff Mole - Performer, Trombone
Muggsy Spanier - Cornet, Performer
Pee Wee Russell - Clarinet
Red McKenzie - Performer, Vocals
Russell - Performer
Schroeder - Piano
Sid Weiss - Bass
Weiss - Performer

* Chip Deffaa - Liner Notes, Text
* Dick Charles - Audio Engineer, Engineer
* Don Jarvis - Digital Transfer Assistant
* Ernest Anderson - Producer
* Fred Robbins - Announcer
* George H. Buck, Jr. - Liner Notes, Producer
* Jack Bland - Director
* Jack Towers - Remastering
* Jimmy Hamilton - Sound Technician
* Maggie Condon - Photo Courtesy
* Wendell Echols - Production Coordination
* William Gottlieb - Photo Courtesy

This two-CD set, as is true of the other very valuable releases in the Eddie Condon Town Hall series (which had never before been reissued complete and in chronological order), features four well-recorded radio shows that logically showcase the individual members of Condon's remarkable all-star groups. These Dixielandish (but never corny or overly predictable) performances are generally exciting and the verbal commentary of Eddie Condon adds to the flavor and wit of the music. And check out this lineup of musicians: trumpeters Billy Butterfield, Bobby Hackett, Max Kaminsky and Muggsy Spanier, trombonist Miff Mole, baritonist Ernie Caceres, clarinetists Edmond Hall and Pee Wee Russell, pianists James P. Johnson, Jess Stacy and Gene Schroeder, bassists Bob Haggart, Sid Weiss and Jack Lesberg, drummers Cozy Cole, Joe Grauso and Gene Krupa and singers Red McKenzie and Lee Wiley. The spontaneous yet well-planned performances find the classic players in peak form and the results are quite memorable.
---Scott Yanow, All Music Guide



Eddie Condon

Active Decades: '20s, '30s, '40s, '50s, '60s and '70s
Born: Nov 16, 1905 in Goodland, IN
Died: Aug 04, 1973 in New York, NY
Genre: Jazz
Styles: Big Band, Classic Jazz, Dixieland, Swing

A major propagandist for freewheeling Chicago jazz, an underrated rhythm guitarist, and a talented wisecracker, Eddie Condon's main importance to jazz was not so much through his own playing as in his ability to gather together large groups of all-stars and produce exciting, spontaneous, and very coherent music.
Condon started out playing banjo with Hollis Peavey's Jazz Bandits when he was 17, he worked with members of the famed Austin High School Gang in the 1920s, and in 1927 he co-led (with Red McKenzie) the McKenzie-Condon Chicagoans on a record date that helped define Chicago jazz (and featured Jimmy McPartland, Jimmy Teschemacher, Joe Sullivan, and Gene Krupa). After organizing some other record sessions, Condon switched to guitar, moved to New York in 1929, worked with Red Nichols' Five Pennies and Red McKenzie's Blue Blowers, and recorded in several settings, including with Louis Armstrong (1929) and the Rhythm Makers (1932). During 1936-1937, he co-led a band with Joe Marsala.
Although Condon had to an extent laid low since the beginning of the Depression, in 1938, with the opportunity to lead some sessions for the new Commodore label, he became a major name. Playing nightly at Nick's (1937-1944), Condon utilized top musicians in racially mixed groups. He started a long series of exciting recordings (which really continued on several labels up until his death), and his Town Hall concerts of 1944-1945 (which were broadcast weekly on the radio) were consistently brilliant and gave him an opportunity to show his verbal acid wit; the Jazzology label reissued them complete and in chronological order. Condon opened his own club in 1945, recorded for Columbia in the 1950s (all of those records have been made available by Mosaic on a limited-edition box set), and wrote three colorful books, including his 1948 memoirs -We Called It Music. A partial list of the classic musicians who performed and recorded often with Condon include trumpeters/ cornetists Wild Bill Davison, Max Kaminsky, Billy Butterfield, Bobby Hackett, Rex Stewart, and Hot Lips Page; trombonists Jack Teagarden, Lou McGarity, Cutty Cutshall, George Brunies, and Vic Dickenson; clarinetists Pee Wee Russell, Edmond Hall, Joe Marsala, Peanuts Hucko, and Bob Wilbur; Bud Freeman on tenor; baritonist Ernie Caceres; pianists Gene Schroeder, Joe Sullivan, Jess Stacy, and Ralph Sutton; drummers George Wettling, Dave Tough, and Gene Krupa; a string of bassists; and singer Lee Wiley. Many Eddie Condon records are currently available, and no jazz collection is complete without at least a healthy sampling.
---Scott Yanow, All Music Guide

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