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| 5.143 Ft
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| 1. | Sweet Georgia Brown
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| 2. | My Blue Heaven
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| 3. | Jive at Five
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| 4. | Greensleeves
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| 5. | When Your Lover Has Gone
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| 6. | Philadelphia Bound
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| 7. | Close Your Eyes
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| 8. | I Got Rhythm -- Part I
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| 9. | I Got Rhythm -- Part II
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| 10. | Embraceable You
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| 11. | Bebop Irishman
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| 12. | Little Susie
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Jazz
Recorded: NYC, March 1959
Jo Jones (d)
Ray Bryant (p)
Tommy Bryant (b)
First issued on LP by Everest Records, and on CD by Fresh Sound (FSRCD 040)
"On this album, the trio gives an indication of the varying kinds of approaches and material it can play. Ray Bryant is heard as a lyrical player, as a swinger; as a modernist; and as a bluesman.
Like his brother, Tom, and like the leader, Jo Jones, Ray can fit about anywhere in any musical situations. And all three, whatever they do, remain unmisakably and vitally themselves."
- Nat Hentoff
Jo Jones
Active Decades: '30s, '40s, '50s, '60s and '70s
Born: Oct 07, 1911 in Chicago, IL
Died: Sep 03, 1985 in New York, NY
Genre: Jazz
Styles: Mainstream Jazz, Swing
Jo Jones shifted the timekeeping role of the drums from the bass drum to the hi-hat cymbal, greatly influencing all swing and bop drummers. Buddy Rich and Louie Bellson were just two who learned from his light but forceful playing, as Jones swung the Count Basie Orchestra with just the right accents and sounds. After growing up in Alabama, Jones worked as a drummer and tap-dancer with carnival shows. He joined Walter Page's Blue Devils in Oklahoma City in the late '20s. After a period with Lloyd Hunter's band in Nebraska, Jones moved to Kansas City in 1933, joining Count Basie's band the following year. He went with Basie to New York in 1936 and with Count, Freddie Green and Walter Page he formed one of the great rhythm sections. Jones was with the Basie band (other than 1944-46 when he was in the military) until 1948 and in later years he participated in many reunions with Basie alumni. He was on some Jazz at the Philharmonic tours and recorded in the 1950s with Illinois Jacquet, Billie Holiday, Teddy Wilson, Lester Young, Art Tatum and Duke Ellington among others; Jones appeared at the 1957 Newport Jazz Festival with both Basie and the Coleman Hawkins-Roy Eldridge Sextet. Jo Jones led sessions for Vanguard (1955 and 1959) and Everest (1959-60), a date for Jazz Odyssey on which he reminisced and played drum solos (1970) and mid-'70s sessions for Pablo and Denon. In later years he was known as "Papa" Jo Jones and thought of as a wise if brutally frank elder statesman.
---Scott Yanow, All Music Guide |
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