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The Blues Legacy: Lost & Found Series, Vol. 1
Chris Barber
első megjelenés éve: 2008
(2008)

CD
5.133 Ft 

 

IMPORT!
Kosaramba teszem
1.  Every Time I Feel The Spirit
Sister Rosetta Tharpe with The Chris Barber Band
2.  Feed Me Jesus
Sister Rosetta Tharpe
3.  Didn't It Rain
Sister Rosetta Tharpe
4.  This Train
Sister Rosetta Tharpe
5.  Up Above My Head
Sister Rosetta Tharpe with The Chris Barber Band
6.  Peace In The Valley
Sister Rosetta Tharpe with The Chris Barber Band
7.  Down By The Riverside
Sister Rosetta Tharpe with The Chris Barber Band
8.  Old Time Religion
Sister Rosetta Tharpe with The Chris Barber Band
9.  When The Saints Go Marching In
Sister Rosetta Tharpe with The Chris Barber Band
10.  Old Time Religion (Reprise)
Sister Rosetta Tharpe with The Chris Barber Band
11.  Midnight Special
Sonny Terry & Brownie McGhee
12.  Climbing On Top Of The Hill
Sonny Terry & Brownie McGhee
13.  Hooray, Hooray, This Woman Is Killing Me
Sonny Terry & Brownie McGhee
14.  Fox Chase
Sonny Terry & Brownie McGhee
15.  How Long How Long Blues
Sonny Terry & Brownie McGhee
16.  John Henry
Sonny Terry & Brownie McGhee
17.  Cornbread, Peas & Black Molasses
Sonny Terry & Brownie McGhee
18.  Worried Life Blues
Sonny Terry & Brownie McGhee
19.  Callin' Mama Blues
Sonny Terry & Brownie McGhee
20.  Betty & Dupree'
Sonny Terry & Brownie McGhee
21.  When The Saints Go Marching In
Sonny Terry & Brownie McGhee
22.  This Little Light Of Mine
Sonny Terry & Brownie McGhee Whit Chris Barber Band
23.  Glory/ I'M Going To Walk And Talk With Jesus
Sonny Terry & Brownie McGhee Whit Chris Barber Band
Jazz / Blues

Chris Barber - Trombone, Vocals, Arranger
Brownie McGhee - Guitar, Vocals, Arranger
Dick Heckstall Smith - Bass
Eddie Smith & the Hornets Banjo
Graham Burbridge Drums
Monty Sunshine Clarinet
Ottilie Patterson Vocals
Patrick Halcox Trumpet
Sister Rosetta Tharpe Guitar, Soloist, Vocals
Sonny Terry Arranger, Harmonica, Vocals

Despite being 'on the slide' since 1949, earning several recording accolades (e.g. 'Petite Fleur' with Monty Sunshine), collaborating with the world's finest musicians, introducing the world to Skiffle ('Rock Island Line' with Lonnie Donegan) and presenting America's greatest blues stars to Britain and Europe, scene maker Chris Barber has played over 10,000 concerts worldwide and continues to right into the 21st Century with the Big Chris Barber Band. The Jazz & Blues legend just 'can't stop now'.



Chris Barber

Active Decades: '40s, '50s, '60s, '70s, '80s, '90s and '00s
Born: Apr 17, 1930 in Welwyn Garden City, Hertfordshire
Genre: Jazz
Styles: Dixieland, Trad Jazz, Dixieland Revival

Trombonist and bandleader Chris Barber spearheaded the Anglo-European trad jazz movement during the late '50s and early '60s and devoted 60 years to the endless celebration of old-fashioned music. But that's only part of his story. Even as he presided over that transatlantic response to the Dixieland revival, Barber went out of his way to make music with U.S. blues legends Big Bill Broonzy, Brother John Sellers, Sonny Terry, Brownie McGhee, Otis Spann, Muddy Waters, James Cotton, and Sonny Boy Williamson II. This cross-pollination dramatically affected the lives and careers of budding British rockers such as the Rolling Stones, the Yardbirds, Eric Burdon, Jimmy Page, and John Mayall.
Donald Christopher "Chris" Barber was born on April 17, 1930, in Welwyn Garden City, Hertfordshire, just north of London, England. After studying double bass and trombone at London's Guildhall School of Music, he assembled the King Oliver-inspired Barber New Orleans Band in 1949. In 1953 he co-founded a group called the Jazzmen with Ken Colyer, a cornetist who had just returned from New Orleans where he had worked with clarinetist George Lewis. In 1954 the group was rechristened Chris Barber's Jazz Band. Trumpeter Pat Halcox had begun what would amount to a 59-year commitment, banjoist/guitarist Lonnie Donegan now sang songs from the jazz, blues, and folk traditions, and Barber sometimes performed on the string bass while Beryl Bryden stroked a washboard.
Donegan and Barber are credited with having ignited the mid-'50s U.K. skiffle movement with a 1955 cover of Leadbelly's "Rock Island Line" that went gold on both sides of the Atlantic. Another of the band's chart-topping hits was its interpretation of Sidney Bechet's "Petite Fleur," a feature for clarinetist Monty Sunshine that led to the eventual rise of pop instrumentalist Acker Bilk. The year 1955 also saw the arrival of Barber's future wife, vocalist Ottilie Patterson, a blues-based performer who sang duets with Sister Rosetta Tharpe when the gospel/swing star sat in with the band in 1957. Barber's often surprisingly diverse lineup also included Jamaican saxophonists Joe Harriott and Bertie King.
In 1959 Barber went cinematic by generating music for Look Back in Anger, a film noir exercise in kitchen sink realism directed by Tony Richardson and starring Richard Burton as a violently misogynistic, emotionally disturbed confection peddler and part-time Dixieland trumpeter (dubbed by Pat Halcox). Barber made the first of many U.S. tours in 1959, bringing out of the woodwork African-American jazz veterans like pianist Hank Duncan, clarinetist Edmond Hall, trumpeter Sidney DeParis, and rhythm & blues pioneer singer/saxophonist Louis Jordan. Barber's 1960s discography includes air shots from the BBC radio archives and live recordings made in Budapest and East Berlin, with gospel and folk material enriching the already fertile ground of the band's repertoire. As the years passed, a gradually renamed Chris Barber's Jazz & Blues Band regularly employed blues and rock musicians, blurring the artificially imposed delineations between genres while offering music that was accessible to a wide range of listeners.
Barber spent a lot of time performing in Europe during the 1970s, and after the passing of Duke Ellington deliberately sought out some of Duke's key soloists in organist Wild Bill Davis, saxophonist Russell Procope, and singer/trumpeter/violinist Ray Nance. Throughout the 1980s Barber stayed faithful to his traditional and progressive instincts by teaming up with Louisiana singer, philosopher, and keyboardist Dr. John. Originally from backgrounds as different as could be, the two made several records together and toured a show called Take Me Back to New Orleans. The 1990s and the first decade of the 21st century found Barber carrying the torch of trad jazz into a sixth decade of creative professional activity, often expanding his group to include 11 players while consistently delivering music of unpretentious warmth and historic depth.
--- arwulf arwulf, All Music Guide
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