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| 1. | The Golden Apple
Solo: Collins & Elton
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| 2. | Manteca, Opus 16
Solo: Socolow
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| 3. | Theme and Variations
Solo: Sebesky, Wilcox, Shaughnessy & Mucci
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| 4. | What Is the Difference
Solo: Barab
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| 5. | Introduction & Elton
Solo: Socolow oboe
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| 6. | Sonatina
Solo: Sebesky & Wilcox
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| 7. | Pickwick
Solo: Socolow & Sebesky
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| 8. | Tanglewood
Solo: Meldonian
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| 9. | An Esthete on Clark Street
Solo: Wilcox & Sebesky
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| 10. | Seven Deadly Sins
Solo: none
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| 11. | Greed
Solo: Mucci & Mikiten
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| 12. | Lechery
Solo: Elton, Barab, Meldonian & Mikiten
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| 13. | Gluttony
Solo: none
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| 14. | Anger
Solo: Collins
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| 15. | Envy
Solo: Mikiten
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| 16. | Sloth
Solo: ferina & Guffey
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| 17. | Pride-Epilogue
Solo: Sebesky & Glasel
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Jazz
Tracks #1-9, from the Roulette album "School of Rebellion" (SR 52045)
Recorded at Bell Sound Studio, New York City, on March 7, 1960
Burt Collins, Don Stratton, Johnny Glasel, Lou Mucci (tp), Bill Elton, Don Sebesky, Eddie Bert, Al Robertson (tb), Paul Faulise (b-tb), Dick Meldonian, Tony Buonpastore (as), Frank Socolow (ts, oboe), Larry Wilcox (ts), Tony Ferina (bs), Al Schackman (g), Irv Manning (b), Ed Shaughnessy (d), Seymour Barab, Alan Shulman, Julius Ehrenwerth, Charles McCracken (cellos)
Tracks #10-17, from the Roulette album "Seven Deadly Sins" (SR 52063)
Recorded at Bell Sound Studio, New York City, on August 2, 1960
Burt Collins, Danny Stiles, Johnny Glasel, Lou Mucci (tp), Bill Elton, Don Sebesky, Eddie Bert, Mike Zwerin (tb), Kenneth Guffey (b-tb), Dick Meldonian (cl, as), Tony Buonpastore (as), Larry Wilcox, Don Mikiten (ts), Tony Ferina (bs), Howard Collins (g), John Drew (b), Ed Shaughnessy (d), Seymour Barab, Avron Coleman, Lorin Bernsohn, George Koutzen (cellos)
B. Russo proved to be the most successful of all the "third stream" composers because of his inclusive musical conception. He did not write in "jazz" or "classical" terms; he simply wrote music. Centred on the weekly rehearsal orchestra he ran from January 1959, the big band he assembled for these recordings is as it should be-under control, with beautifully nuanced dynamics of great power and delicacy. It was probing and serious, characteristics that had somehow become embarrassing during the Basie era, but deployed here without a trace of pretentiousness. And it swung. At first glance this was a conventional jazz big band, except for the cello section, but the sound that Russo extracted from it is remarkable.
The music from these two albums-"School of Rebellion" & "Seven Deadly Sins" -moves smoothly in an inevitable progression of organic growth, in a genuine "third stream" fusion of classical and jazz principles. It makes for richly rewarding listening.
All tracks composed, arranged & conducted by Bill Russo.
Original recordings produced by Pete Kameron
Recording supervisor: Rudy Taylor
Reissue produced by Jordi Pujol
24-Bit Digitally Remastered |
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