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| Dance Theatre of Harlem [Arthaus] [ ÉLŐ ] |
| Bob Downes, Judith Hamilton, Milton Rosenstock, Morton Gould (1913-1982) |
| Leon Bibb (ének), Cassandra Phifer (tánc), Dean Anderson (tánc), Eddie J. Shellman (tánc), Felicity De Jager (tánc), Gregory Jackson (tánc), Hugues Magen (tánc), Joselli Audain (tánc), Lorraine Graves (tánc), Lowell Smith (tánc), Ronald Perry (tánc), Stephanie Dabney (tánc), Virginia Johnson (tánc), Yvonne Hall (tánc), Agnes de Mille (koreográfia), Arthur Mitchell (koreográfia), Lester Horton (koreográfia), Robert North (koreográfia), Dänisches Radio Symphonieorchester (zenekar), Dänisches Radio Konzertorchester (zenekar), David LaMarche (karmester), Markus Lethinen (karmester), Milton Rosenstock (karmester) |
első megjelenés éve: 2001
120 perc |
| Balett |
| (2012)
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DVD video |
| 6.393 Ft
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| 1. | Fall River Legend
Morton Gould (1913-1982)
Dean Anderson (tánc), Hugues Magen (tánc), Joselli Audain (tánc), Lorraine Graves (tánc), Lowell Smith (tánc), Stephanie Dabney (tánc), Virginia Johnson (tánc), Agnes de Mille (koreográfia), Dänisches Radio Symphonieorchester (zenekar), Dänisches Radio Konzertorchester (zenekar), David LaMarche (karmester), Markus Lethinen (karmester)
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| 2. | Troy Game
Bob Downes
Robert North (koreográfia), Dänisches Radio Symphonieorchester (zenekar), Dänisches Radio Konzertorchester (zenekar), David LaMarche (karmester), Markus Lethinen (karmester)
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| 3. | The Beloved
Judith Hamilton
Cassandra Phifer (tánc), Hugues Magen (tánc), Lester Horton (koreográfia), Dänisches Radio Symphonieorchester (zenekar), Dänisches Radio Konzertorchester (zenekar), David LaMarche (karmester)
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| 4. | John Henry
Milton Rosenstock
Leon Bibb (ének), Eddie J. Shellman (tánc), Felicity De Jager (tánc), Gregory Jackson (tánc), Lowell Smith (tánc), Ronald Perry (tánc), Yvonne Hall (tánc), Arthur Mitchell (koreográfia), Dänisches Radio Symphonieorchester (zenekar), Dänisches Radio Konzertorchester (zenekar), Markus Lethinen (karmester), Milton Rosenstock (karmester)
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Morton Gould: FALL RIVER LEGEND
Lizzie - Virginia Johnson
Lizzie as a Child - Joselli Audain
Mother - Lorraine Graves
Father - Hugues Magen
Stepmother - Stephanie Dabney
Pastor - Lowell Smith
Speaker for the Jury - Dean Anderson
Oliver Smith, set designer
Stanley Simmons, costume designer
Bob Downes: TROY GAME
Peter Farmer, costume designer
Judith Hamilton: THE BELOVED
Thomas Winther, costume designer
Milton Rosenstock: JOHN HENRY
John Henry - Eddie J. Shellman
Girlfriend / Wife - Yvonne Hall
Mother - Felicity De Jager
Father - Lowell Smith
Young John Henry - Gregory Jackson
The Machine - Ronald Perry
Ves Harper, set designer
Carl Michel, costume designer
Warren Scott Schilk, lighting designer
Bonus:
- Introduction by the company
The Dance Theatre of Harlem's birthplace was in a disused garage in Harlem, a black district of New York. Arthur Mitchell, the founder who still acts as its artistic director, set up the ballet school with the aim of giving black dancers the opportunity of sound training, as their skin color meant that they often encountered difficulties finding employment with existing companies which consisted mainly of white dancers. Since its humble beginnings in 1969 - it was founded shortly after the murder of Martin Luther King - the Dance Theatre of Harlem has attained worldwide status. Today the repertoire is performing a representative cross section from the history of artistic dancing. Alongside classics of the Russian school such as Swan Lake and Sheherazade are shown the successful neoclassical dance routines from the years following the First World War as well as works by contemporary choreographers.
The Dance Theatre of Harlem, America's first outstanding classical ballet company of black dancers, started out as a ghetto experiment that quickly reached world-class level. It was created by Arthur Mitchell, a School of American Ballet student who had broken through ballet's colour barrier by becoming the first black dancer to join an internationally renowned company, the New York City Ballet. |
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