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Rossini: Maometto Secondo [Scimone] (2DVD) [Dynamic] [ ÉLŐ ] |
Gioachino Rossini (1792-1868) |
Nicola Marchesini (szoprán), Maxim Mironov (tenor), Anna Rita Gemmabella (ének), Carmen Giannatasio (ének), Federico Lepre (tenor), Lorenzo Regazzo (bariton), Velencei Fenice Színház Énekkara (vegyeskórus), Pier Luigi Pizzi (rendező), Tiziano Mancini (videorendező), Claudio Scimone (karmester), Velencei Fenice Színház Zenekara (zenekar) |
olasz első megjelenés éve: 2005 174 perc |
Opera |
(2005)
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 2 x DVD video |
6.912 Ft
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1. DVD video tartalma: |
1. | Maometto Secondo (Maometto II)
Nicola Marchesini (szoprán), Federico Lepre (tenor), Maxim Mironov (tenor), Lorenzo Regazzo (bariton), Anna Rita Gemmabella (ének), Carmen Giannatasio (ének), Velencei Fenice Színház Énekkara (vegyeskórus), Pier Luigi Pizzi (rendező), Tiziano Mancini (videorendező), Claudio Scimone (karmester), Velencei Fenice Színház Zenekara (zenekar)
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Opera (dramma per musica) in 2 acts Premier: December 3, 1820, Teatro San Carlo, Napoli
Recorded: 2005, Teatro La Fenice di Venezia
Maometto secondo - Lorenzo Regazzo Selimo - Federico Lepre Paolo Erisso - Maxim Mironov Anna - Carmen Giannatasio Calbo - Anna Rita Gemmabella Condulmiero - Nicola Marchesini
HD - High Definition
It was customary for Rossini to modify his scores and develop second and third versions for theatres that wanted to stage his operas. The Maometto II here recorded corresponds only in part to the original score (Naples, 1820), which is the version generally performed nowadays; it is, instead, the revision made for Venice's Teatro La Fenice staged on 26th December 1822 as opening title of the 1823 Carnival season, the same season which, on February 3rd, would also see the debut of Semiramide. For Venice Rossini tried to soften the monolithic character of his Neapolitan score, introducing an opening symphony, making changes - some of them quite substantial - to the score and, especially, giving the plot a happy ending. The title role is sung by the young Italian bass Lorenzo Regazzo, internationally renowned; Claudio Scimone, on the podium, is responsible for the revision of the score. |
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