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Rossini: Ermione [Davis] [NVC Arts] [ ÉLŐ ] |
Gioachino Rossini (1792-1868) |
Anna Caterina Antonacci (szoprán), Julie Unwin (szoprán), Lorna Windsor (szoprán), Diana Montague (mezzoszoprán), Bruce Ford (tenor), Jorge Lopez-Yanez (tenor), Paul Austin Kelly (tenor), Paul Nilon (tenor), Gwynne Howell (basszus), Oliver Bridge (ének), London Philharmonic Choir (vegyeskórus), Londoni Filharmónikusok (zenekar), Sir Andrew Davis (karmester) |
első megjelenés éve: 1995 138 perc |
Opera |
(2006)
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 DVD video |
5.079 Ft
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1. | Ermione
Anna Caterina Antonacci (szoprán), Julie Unwin (szoprán), Lorna Windsor (szoprán), Diana Montague (mezzoszoprán), Bruce Ford (tenor), Jorge Lopez-Yanez (tenor), Paul Austin Kelly (tenor), Paul Nilon (tenor), Gwynne Howell (basszus), Oliver Bridge (ének), London Philharmonic Choir (vegyeskórus), Londoni Filharmónikusok (zenekar), Sir Andrew Davis (karmester)
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Opera in 2 acts Libretto: Andrea Leone Tottola [Based: Jean Racine: Andromaque] First performance: 27 March, 1819, Teatro di San Carlo, Naples
Anna Caterina Antonacci .... Ermione (daughter of Helen of Troy) Diana Montague .... Andromache (widow of Hector) Jorge Lopez-Yanez .... Pyrrhus (son of Achilles) Bruce Ford .... Orestes (son of Agamemnon) Paul Austin Kelly .... Pylades (friend of Orestes) Gwynne Howell .... Phoenix (tutor to Pyrrhus) Julie Unwin .... Cleone (confidante of Ermione) Lorna Windsor .... Cefisa (confidante of Andromache) Paul Nilon .... Attalus (servant of Pyrrhus) Oliver Bridge .... Astyanax (son of Andromache)
Director: Graham Vick
Recorded at Glyndebourne's superb opera house, this lavishly praised production of Rossini's forgotten and unusual tragic opera has proved to be an unequivocal success. Based on Racine's Andromaque, this account of the Greek and Trojan love tangle has been set by Graham Vick in the classically-inspired auditorium of an Italian opera house, rather than in ancient Greece. The set designs, with their striking colours, forms and lighting are as if created especially for the small screen.
"Ermione leapt into the house as a drama - engaging, fiery, tragic, profound" OPERA "Glyndebourne pulls out all the stops to do a rarely performed Rossini tragedy proud ... Monday will surely go down in Glyndebourne's history as one of the Great Nights - the first time it has mounted one of Rossini's serious operas, and done so with outstanding success ... As Ermione galloped with headlong momentum to its hair-raising finishing line, you felt you had been through an emotional car-wash ..." THE TIMES |
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