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| Verdi: Falstaff [ ÉLŐ ] |
| Giuseppe Verdi (1813-1901) |
| Ibarra Ana (szoprán), Jane Henschel (szoprán), María José Moreno (szoprán), Marina Domashenko (mezzoszoprán), Alasdair Elliott (tenor), Bülent Bezdüz (tenor), Peter Hoare (kontratenor), Carlos Álvarez (bariton), Darren Jeffrey (basszus), Michele Pertusi (basszus), London Symphony Chorus (vegyeskórus), London Symphony Orchestra (zenekar), Sir Colin Davis (karmester) |
angol
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| (2004)
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2 x CD |
| 5.677 Ft
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| 1. CD tartalma: |
| 1. | Falstaff
Ibarra Ana (szoprán), Jane Henschel (szoprán), María José Moreno (szoprán), Marina Domashenko (mezzoszoprán), Alasdair Elliott (tenor), Bülent Bezdüz (tenor), Peter Hoare (kontratenor), Carlos Álvarez (bariton), Darren Jeffrey (basszus), Michele Pertusi (basszus), London Symphony Chorus (vegyeskórus), London Symphony Orchestra (zenekar), Sir Colin Davis (karmester)
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| |
| 2. CD tartalma: |
| 1. | Falstaff
Ibarra Ana (szoprán), Jane Henschel (szoprán), María José Moreno (szoprán), Marina Domashenko (mezzoszoprán), Alasdair Elliott (tenor), Bülent Bezdüz (tenor), Peter Hoare (kontratenor), Carlos Álvarez (bariton), Darren Jeffrey (basszus), Michele Pertusi (basszus), London Symphony Chorus (vegyeskórus), London Symphony Orchestra (zenekar), Sir Colin Davis (karmester)
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Following his acclaimed recording of Britten's Peter Grimes, Sir Colin Davis and the LSO are joined by a magnificent cast led by Michele Pertusi for a spectacular performance of Verdi's comic masterpiece. Recorded during the LSO's centenary celebrations in 2004, Falstaff is one of LSO Live's finest releases to date.
GRAMMY AWARD WINNNER - Best Opera
CD REVIEWS:
EDITOR'S CHOICE
Gramophone, November 2004
'If it wasn't obvious before, then it is now. The LSO Live label is the recording phenomenon of the decade. Here's a conductor at the height of his powers with an orchestra on top form, here's singing so exciting it would make a piece of sandpaper moist, here's the crackling energy of a live performance captured brilliantly. Pertusi is simply stunning as the Fat Knight - bombastic, arrogant and yet touchingly vulnerable too. A must-hear.'
Classic FM Magazine, November 2004
'... the most exhilarating account of the opera ... Pertusi is brilliant in the title-role, bluff and powerful, with his voice cleanly focused over the widest expressive range - now biting, now soothing, now full of fun. Ana Ibarra as Alice Ford leads a superb team of women soloists, phenomenally precise in their chattering ensembles. Above all, the liveness of the experience adds to the electricity ... An astonishing bargain'
The Guardian, 8 October 2004
'Hard on the heels of their magnificent Peter Grimes, Sir Colin Davis and the LSO unite with a fine array of soloists to bring all the requisite wit, sparkle and poignancy to Verdi's Shakespearean masterpiece. Pertusi is outstanding in the title role ... this rates as one of LSO Live's finest releases to date, even by the in-house label's own high standards.'
The Observer, 10 October 2004
'This is a feast ... one to set beside their Trojans as a monument to the partnership between Davis and the orchestra. Their playing has an energy, finesse and sense of delight in the ever-amazing score that is intoxicating. Davis, always a great Falstaff interpreter, surpasses himself. Michele Pertusi, the excellent Falstaff ... Ana Ibara's Alice and Carlos Alvarez's Ford are outstanding'
The Sunday Times, 10 October 2004
'an absolute gem ... equaling the best on the market. Colin Davis gets such well-articulated playing from the LSO that students of orchestral writing could actually learn from listening ... the women are wonderful. As the madly jealous Ford, baritone Carlos Alvarez almost walks away with the show. It doesn't hurt that he has the longest and most dramatic aria in the piece, which is sung and nuanced perfectly. Listening to his hysteria mount is a real delight. Pertusi's a terrific, smart, colorful Falstaff. And this is a terrific, smart, colorful "Falstaff", captured with great sonic impact and immediacy.'
10/10
ClassicsToday.com, 14 October 2004
'Verdi's great explosion of laughter at the end of his astonishing career has always been a Davis speciality ... it preserves another classic Davis ensemble performance, with yet another Italian crucially cast in the title-role ... it's unbeatable.'
International Record Review, November 2004 |
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