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| Britten: Peter Grimes [Runnciles] [EMI] (2DVD) [ ÉLŐ ] |
| Benjamin Britten (1913-1976) |
| Patricia Racette (szoprán), Felicity Palmer (mezzoszoprán), Jill Grove (mezzoszoprán), Anthony Dean Griffey (tenor), Bernard Fitch (tenor), Greg Fedderly (tenor), Anthony Michaels-Moore (bariton), John del Carlo (bariton), Erin Morley (ének), Leah Partridge (ének), Logan William Erickson (ének), Teddy Tahu Rhodes (ének), Dean Peterson (basszbariton), New York-i Metropolitan Énekkara (vegyeskórus), John Doyle (rendező), Donald Runnicles (karmester), New York-i Metropolitan Zenekara (zenekar) |
első megjelenés éve: 2008
168 perc |
| Opera |
| (2008)
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2 x DVD video |
| 7.257 Ft
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| 1. DVD video tartalma: |
| 1. | Peter Grimes
Patricia Racette (szoprán), Felicity Palmer (mezzoszoprán), Jill Grove (mezzoszoprán), Anthony Dean Griffey (tenor), Bernard Fitch (tenor), Greg Fedderly (tenor), Anthony Michaels-Moore (bariton), John del Carlo (bariton), Erin Morley (ének), Leah Partridge (ének), Logan William Erickson (ének), Teddy Tahu Rhodes (ének), Dean Peterson (basszbariton), New York-i Metropolitan Énekkara (vegyeskórus), John Doyle (rendező), Donald Runnicles (karmester), New York-i Metropolitan Zenekara (zenekar)
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Opera in 3 acts
Libretto: Montagu Slater [Based: Georges Crabbe: The Borough]
First performance: 7 Jun. 1945, London, Sadler Well's Opera Company
Recorded: Metropolitan Opera, New York City
Hobson - Dean Peterson
Swallow - John Del Carlo
Peter Grimes - Anthony Dean Griffey
Mrs Sedley - Felicity Palmer
Ellen Orford - Patricia Racette
Auntie - Jill Grove
Bob Boles - Greg Fedderly
Captain Balstrode - Anthony Michaels-Moore
Rev. Horace Adams - Bernard Fitch
Two Nieces - Leah Partridge, Erin Morley
Ned Keene - Teddy Tahu Rhodes
Boy - Logan William Erickson
"The tenor Anthony Dean Griffey navigates the straits between utterance and intention with great deftness, making his Peter one of the most textured and subtle characters to dominate the Met's vast stage in a long time."
---New York Magazine
"[T]he superb Anthony Dean Griffey offers not only a complex character, not easily fathomed, but couches it in some of the most lyrical tenor work one is likely to hear this season."
---Seen and Heard
"…a superb musical performance. Donald Runnicles, music director of the San Francisco Opera, conducted with the rough vigor and flexibility that mark his finest efforts, the peerless Metropolitan Opera Orchestra played beautifully and a powerful cast, led by tenor Anthony Dean Griffey in the title role, found the pathos and terror in Britten's score."
---San Francisco Chronicle
"Patricia Racette, was superb. The voice was vibrant, liquid, and exciting, as usual; and the technique was near faultless, also as usual."
---New York Sun
"Musically, I doubt anyone could ask for a more incisive traversal of the score, conducted with sweeping confidence by, and executed with great precision by the Met Orchestra (whose members applauded the conductor during the ovations)."
--- Seen and Heard
"A first-class performance, from first to last"
---Opernwelt
"Under Donald Runnicles' baton, the Met orchestra makes the sun, the sea and the tragedy come alive."
---Variety
Anthony Dean Griffey and Patricia Racette excel in John Doyle's new production of Britten's most celebrated opera, Peter Grimes - filmed live at the Metropolitan Opera.
This new MET production by award-winning director John Doyle (2006 Tony Award Best Direction of a Musical - Sweeney Todd) of Britten's haunting seaside tale continues EMI Classics' recent collaboration with the Metropolitan Opera : Live in High-Definition series.
Peter Grimes, Britten's second opera, is widely regarded as one of the masterpieces of postwar opera, and its premiere 63 years ago marked a turning point in the history of British Opera. It is now considered a masterwork of 20th Century opera, and since its premiere, it became the first opera by an English composer to enter and remain in the international repertory.
The work is based on a poem by the turn-of-the-19th-century writer George Crabbe entitled The Borough, and is set in an isolated English fishing village in the 1830s. Much of the emotional drive of the opera comes from the six 'Sea Interludes' - calm, storm, at dawn and by moonlight. These are among the most brilliantly evocative music that Britten ever wrote and which help to establish the constant, overpowering presence of the sea as the opera's dominant force.
Anthony Dean Griffey, as Grimes, is 'superb' (San Francisco Chronicle). Patricia Racette, as Ellen Orford, the schoolmistress who tries and fails to rescue Grimes from his anger and self-pity is 'near faultless' (New York Sun).
Donald Runnicles, music director of the San Francisco Opera, "drew an inspired performance from the Met Orchestra, full of passion and commitment yet free of bombast. Without slackening the dramatic tension, he found ways of drawing out both the music's austere lyricism and its violent extremes."
---Boston Globe
"The more vicious the society, the more vicious the individual" - Benjamin Britten (commenting on Peter Grimes after its premiere in 1945)
Disc #1 -- Peter Grimes
2. Introduction by Natalie Dessay [2:16]
3. Peter Grimes! Peter Grimes! [4:33]
4. Peter Grimes, I Here Advise You [1:59]
5. The Truth... the Pity... and the Truth [1:50]
6. Interlude I: Dawn [3:07]
7. Oh Hang At Open Doors the Net, the Cork [5:16]
8. Hi! Give Us a Hand! [1:56]
9. Grimes, You Won't Need Help From Mow [2:58]
10. Let Her Among You Without Fault [2:45]
11. Look! the Storm Cone! [2:29]
12. And Do You Prefer the Storm [1:56]
13. Picture What the Day Was Like [3:09]
14. What Harbour Shelters Peace [1:04]
15. Interlude II: Storm [4:25]
16. Past Time to Close! [4:50]
17. We Live and Let Live [:56]
18. Have You Heard the Cliff Is Down by Grime's Hut [1:21]
19. Now the Great Bear and Pleiades [3:27]
20. Old Joe Has Gone Fishing [2:15]
21. The Bridge Is Down, We Half Swam Over [1:41]
22. Backstage At the Met: Natalie Dessay Interviews Patricia Racette and Anthony Dean Griffey [3:35]
23. Britten and Peter Grimes in Aldeburgh: BBC Reporter Alex Dunlop on Location in Aldeburgh [4:34]
24. Backstage At the Met: Natalie Dessay Interviews Met Chorus Master Donald Palumbo and Costume Designer Ann Hould-Ward [6:37]
25. Interlude III: Sunday Morning [1:56]
26. Glitter of Waves [5:16]
27. A Bruise... Well, It's Begun [3:38]
28. This Unrelenting Work [4:06]
29. Fool to Let It Come to This! [4:54]
30. We Planned That Their Lives Should Have a New Start [3:11]
31. Now Is Gossip Put on Trial [1:54]
32. From the Gutter [4:30]
33. Interlude IV: Passacaglia [5:26]
34. Go There! Go There! [3:12]
35. In Dreams I've Built Myself Some Kindlier Home [4:03]
36. Now!...Now! [1:51]
37. Peter Grimes! Peter Grimes! [3:34]
Disc #2 -- Peter Grimes
1. Backstage At the Met: Natalie Dessay Interviews Director John Doyle and Set Designer Scott Pask/Natalie Dessay Interviews Conductor Donald Runnicles [4:16]
2. Interlude V: Moonlight [3:11]
3. Assign Your Prettiness to Me [4:51]
4. Pah! [2:20]
5. Come Along, Doctor [3:14]
6. Embroidery in Childhood Was a Luxury if Idleness [2:40]
7. Mr Swallow! Mr Swallow! [5:13]
8. Who Holds Himself Apart [2:00]
9. Who Holds Himself Apart [3:33]
10. Interlude VI [2:35]
11. Grimes! - Steady. There You Are. Nearly Home [5:30]
12. Peter, We've Come to Take You Home [3:01]
13. To Those Who Pass the Borough Sounds Betray [4:32]
14. End Credits [3:01] |
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