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2 x CD |
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| 1. CD tartalma: |
| 1. | Messiah, oratorio HWV56
(Messiás)
Kathleen Battle (szoprán), Florence Quivar (mezzoszoprán), John Aler (tenor), Samuel Ramey (basszbariton), Toronto Mendelssohn Choir (vegyeskórus), Sir Andrew Davis (karmester), Toronto Symphony Orchestra (zenekar)
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| 2. CD tartalma: |
| 1. | Messiah, oratorio HWV56
(Messiás)
Kathleen Battle (szoprán), Florence Quivar (mezzoszoprán), John Aler (tenor), Samuel Ramey (basszbariton), Toronto Mendelssohn Choir (vegyeskórus), Sir Andrew Davis (karmester), Toronto Symphony Orchestra (zenekar)
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Disc 1:
1 Part One: Sinfony: Grave - Allegro moderato 3:33
2 Part One: Comfort ye my people (tenor) 2:48
3 Part One: Ev'ry valley shall be exalted (tenor) 3:21
4 Part One: And the glory of the Lord shall be revealed 2:52
5 Part One: Thus saith the Lord of Hosts (bass) 1:32
6 Part One: But who may abide the day of His coming (counter-tenor) 4:41
7 Part One: And he shall Purify 2:22
8 Part One: Behold a virgin shall conceive (alto) 0:26
9 Part One: O thou that tellest good tidings to Zion (alto/chorus) 5:26
10 Part One: For behold, darkness shall cover the earth (bass) 2:42
11 Part One: The people that walked in darkness (bass) 4:17
12 Part One: For unto us a child is born 3:56
13 Part One: Pifa (Pastoral Symphony) 3:70
14 Part One: There were shepards 0:17
15 Part One: And lo, the Angel of the Lord 0:20
16 Part One: And the angel said unto them 0:38
17 Part One: And suddenly there was with the angel 0:18
18 Part One: Glory to God in the highest 1:57
19 Part One: Rejoice greatly, O daughter of Zion (soprano I) 4:35
20 Part One: Then shall the eyes of the blind be open'd (counter-tenor) 0:30
21 Part One: He shall feed His flock like a shepherd (counter-tenor/soprano I) 5:23
22 Part One: His yoke is easy, his burthen is light 2:18
23 Part Two: Behold, The Lamb of God 3:11
24 Part Two: He was despised (alto) 12:22
Disc 2:
1 Part Two: Surely, He hath borne our griefs 1:56
2 Part Two: And with His stipes we are healed 1:43
3 Part Two: All we like sheep have gone astray 3:53
4 Part Two: All they that see Him, laugh Him to scorn (tenor) 0:44
5 Part Two: He trusted in God 2:17
6 Part Two: Thy rebuke hath broken His heart (tenor) 1:53
7 Part Two: Behold, and see if there be any sorrow (tenor) 1:31
8 Part Two: He was cut off out of the land of the living (soprano II) 0:18
9 Part Two: But Thou didst not leave His soul in hell (soprano II) 2:80
10 Part Two: Lift up your heads, O ye gates 3:70
11 Part Two: Unto which of the Angels (tenor) 0:17
12 Part Two: Let all the angels of God worship Him 1:22
13 Part Two: Thou art gone up on high (counter-tenor) 3:22
14 Part Two: The Lord gave the word 1:80
15 Part Two: How beautiful are the feet (soprano I) 2:14
16 Part Two: Their sound is gone out into all lands 1:25
17 Part Two: Why do the nations so furiously rage together (bass) 2:44
18 Part Two: Let us break their bonds asunder 1:43
19 Part Two: He that dwelleth in heaven (tenor) 0:14
20 Part Two: Thou shalt break them (tenor) 2:00
21 Part Two: Hallelujah 3:49
22 Part Three: I know that my redeemer liveth (soprano I) 6:10
23 Part Three: Since by man came death 2:40
24 Part Three: Behold, I tell you a mystery (bass) 0:34
25 Part Three: The trumpet shall sound (bass) 9:00
26 Part Three: Then shall be brought to pass the saying (counter-tenor) 0:19
27 Part Three: O death, where is thy sting (counter-tenor/tenor) 0:55
28 Part Three: But thanks be to God 2:30
29 Part Three: If God be for us (alto) 4:55
30 Part Three: Worthy is Lamb that was slain ... Amen 7:10
Among traditional, large ensemble versions of George Frederick Handel's "Messiah," this 1986 recording by Andrew Davis and the Toronto Symphony Orchestra has held up rather well over the years and has become a favorite for many listeners. While not pretending to be an authentic Baroque performance -- Davis conducts the large Toronto Mendelssohn Choir, rather than a smaller-sized choral group, and the orchestra plays modern instruments and is fully staffed -- there are nonetheless crisp rhythms, clean lines, and evenly blended harmonies that make the choruses feel light and limber and not at all stodgy. In terms of articulation and ornamentation, this rendition has few embellishments or period touches and is generally straightforward in execution, so no one could mistake it for any of the historically informed recordings of, say, William Christie, Trevor Pinnock, or Christopher Hogwood. Apart from matters of interpretation and style, many listeners will want to hear this "Messiah" for the outstanding vocal soloists, soprano Kathleen Battle, mezzo-soprano Florence Quivar, tenor John Aler, and bass Samuel Ramey, who all deliver exceptional performances, though Aler and Ramey give their turns extra measures of virtuosity and emotional coloration. This may not be the recording of choice for Handel scholars or early music purists, but it has found a warm spot in the hearts of amateurs and aficionados alike, and its expressive strengths and technical assuredness, as well as its warm recorded sound, should keep it in the catalog for years to come. [Originally released by EMI in 1987 in bulky packaging, this 2008 reissue in the Gemini series presents the same recording in a slim-line case and at a reduced price.] Blair Sanderson, All Music Guide |
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