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| Strauss, Johann Jr: Jabuka (The Apple Festival) - operetta in 3 acts (2CD) |
| Johann Jr Strauss II (1825-1899) |
| Veronika Groiss (szoprán), Elisabeth Wolfbauer (mezzoszoprán), Franz Födinger (tenor), Thomas Tischler (tenor), Wolfgang Veith (tenor), Helmut Josef Ettl (bariton), Michael Schober (basszus), Gaudeamus Choir Brno (vegyeskórus), Christian Pollack (karmester), European Johann Strauss Orchestra (zenekar) |
| első megjelenés éve: 2007 |
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2 x CD |
| 3.658 Ft
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| 1. CD tartalma: |
| 1. | Jabuka (The Apple Festival)
Veronika Groiss (szoprán), Elisabeth Wolfbauer (mezzoszoprán), Franz Födinger (tenor), Thomas Tischler (tenor), Wolfgang Veith (tenor), Helmut Josef Ettl (bariton), Michael Schober (basszus), Gaudeamus Choir Brno (vegyeskórus), Christian Pollack (karmester), European Johann Strauss Orchestra (zenekar)
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| 2. CD tartalma: |
| 1. | Jabuka (The Apple Festival)
Veronika Groiss (szoprán), Elisabeth Wolfbauer (mezzoszoprán), Franz Födinger (tenor), Thomas Tischler (tenor), Wolfgang Veith (tenor), Helmut Josef Ettl (bariton), Michael Schober (basszus), Gaudeamus Choir Brno (vegyeskórus), Christian Pollack (karmester), European Johann Strauss Orchestra (zenekar)
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| Even those who are moderately familiar with Johann Strauss' stage works apart from "Die Fledermaus" are unlikely to have heard of "Jabuka" (The Apple Festival), a merry effort from 1894 that Strauss introduced during a time when Vienna was celebrating the 50th anniversary of his first concert there; he would live only five years more. Before this Naxos effort, recorded between 2005 and 2007 and guided by the knowledgeable hand of Christian Pollack, this work has certainly never been recorded outside of the potpourris and quadrilles derived from it; it is unlikely to have been seen on-stage between its 1894 premiere and the 2003 revival on which this recording is based. Pop in the disc and you'll immediately be struck by a weird feeling; did Naxos get the right composer on this thing? Isn't this Smetana or someone like that? Indeed, the resemblance is very close, and it is no ironic coincidence that librettist Max Kalbeck translated the Czech text of "The Bartered Bride" into German for its first Vienna-based performances. However, by the middle of the first act you'll realize this is unquestionably Strauss, only working, very successfully, outside of his usual idiom. |
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