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1. | Rumores de la caleta, Op.71 No.8 - Malaguena
Isaac Albéniz (1860-1909)
Arturo Benedetti Michelangeli (zongora) Recorded in Milan, c. December 1941-February 1942 |
2. | Italian Concerto in F major, BWV 971
Johann Sebastian Bach (1685-1750)
Arturo Benedetti Michelangeli (zongora) Recorded in Milan, 22nd January 1943 |
3. | Partita No.2 in D minor, BWV1004
Johann Sebastian Bach (1685-1750)
Arturo Benedetti Michelangeli (zongora) Recorded in London, 27th October 1948 |
4. | Variations on a Theme by Paganini in A minor, Op.35
Johannes Brahms (1833-1897)
Arturo Benedetti Michelangeli (zongora) Recorded in London, 26th October 1948 |
5. | Presto in B flat
Baldassare Galuppi (1706-1785)
Arturo Benedetti Michelangeli (zongora) Recorded in London, 27th October 1948 |
6. | Spanish Dance, Op.37 No.5 'Andaluza'
Enrique Granados (1867-1916)
Arturo Benedetti Michelangeli (zongora) Recorded in Milan, c. November-December 1939 |
7. | Fantasque
André-Francois Marescotti (1902-1995)
Arturo Benedetti Michelangeli (zongora) Recorded in Milan, c. November-December 1939 |
8. | Cancion y danza No.1
Federico Mompou (1893-1987)
Arturo Benedetti Michelangeli (zongora) Recorded in Milan, c. December 1941-February 1942 |
9. | Keyboard Sonata in D major K.96
Domenico Scarlatti (1685-1757)
Arturo Benedetti Michelangeli (zongora) Recorded in Milan, 1941-1943 |
10. | Keyboard Sonata K.27 in B minor
Domenico Scarlatti (1685-1757)
Arturo Benedetti Michelangeli (zongora) Recorded in Milan, 1941-1943 |
11. | Keyboard Sonata K.11 in D minor
Domenico Scarlatti (1685-1757)
Arturo Benedetti Michelangeli (zongora) Recorded in Milan, 1941-1943 |
12. | Keyboard Sonata K.9 in D minor
Domenico Scarlatti (1685-1757)
Arturo Benedetti Michelangeli (zongora) Recorded in Milan, 1941-1943 |
13. | Allegro in G
Pellegrino Tomeoni (1729-1816)
Arturo Benedetti Michelangeli (zongora) Recorded in Milan, 22nd January 1943 |
Michelangeli's first recordings were made for HMV in Milan in 1939, following his win at the Geneva International Piano Competition.
In Granados's Andaluza Michelangeli uses a soulful singing tone to great advantage, while his phenomenal virtuoso technique can be heard in Marescotti's Fantasque, one of the test pieces for the Geneva Competition. These and the 1948 recordings of Bach, Galuppi and Brahms demonstrate that as a young man Michelangeli was already a consummate artist.
As a critic wrote about the recording of the Brahms Paganini Variations: "What a pianist! Technically, the playing is astonishing: interpretatively, here is a very great musician "altogether this is the most exciting piano performance and recording I have heard for many a long day." |
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