| Opera in 3 acts, 4 scenes Libretto: Nikolai Rimsky-Korsakov [Based on Nikolai Gogol's story May Night, or the Drowned Maiden, from his collection Evenings on a Farm Near Dikanka]
 First performance: 21 Jan 1880, Mariinsky Theatre, St. Petersburg, Russia
 
 Recorded: March 9, 2008
 
 Village-Head (Mayor), bass: Dmitry Ulyanov
 Levko, his son,	tenor: Oleg Polpudin
 (Ganna) Hanna, mezzo-soprano: Natalia Vladimirskaya
 Mayor's Sister-in-Law, mezzo-soprano: Irina Chistyakova
 Clerk, bass: Roman Ulybin
 Distiller, tenor: Vyacheslav Voynarovsky
 Kalenik, bass: Anatoly Loshak
 Pannochka, rusalka, soprano: Valeria Zaytseva
 First Mermaid: Maria Lobanova
 Second Mermaid: Maria Suvorova
 Third Mermaid: Ella Feyginova
 
 Rimsky-Korsakov lavished a gorgeous score on this rustic tale of love and the supernatural. This acclaimed 2008 production by the Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre marks the opera's first appearance on DVD. The company's brilliant staging is modern in its dramatic intensity yet firmly rooted in the traditional heart of the work.
 
 Set Design and Costumes: Vladimir Arefiev
 
 Assistant directors: Valentina Kaevchenko, Irina Lychagina, Ilya Mozhaysky
 Video Montage for Prelude by Marina Dobrovolskaya
 Lighting Design: Ildar Bederdinov
 Principal Chorus Master: Stanislav Lykov
 Chorus Masters: Alexander Rybnov, Alexander Toplov
 Concertmasters: Evgenia Arefieva, Ekaterina Dmitrieva, Tatiana Lobyreva, Galina Mikheeva, Irina Orzhekhovskaya, Eva Petrishcheva, Anna Rakhman
 Stage Managers: Natalia Zhukova, Yulia Lutsenko, Tatiana Pochapskaya
 Opera Company Artistic Director: Alexander Titel
 General Manager: Vladimir Urin
 
 Subtitle translations by: Cesar Dillon, Ved Khatter
 
 May Night (1880), Rimsky-Korsakov's second opera, for which he also provided the libretto, was notable for the composer's embrace of the folk idiom and his move away from his more academic work. As one critic noted, with May Night the composer” threw off the shackles of counterpoint.” Using no less than eight tunes from a folk song collection, Rimsky-Korsakov fashioned an opera that accentuates the bucolic with a cast of carousing villagers but also visits the nether world with those drowned spectral maidens known as the rusalki.
 
 At its heart, May Night is a comic opera, despite the presence of a troublesome witch and those sad drowned maidens. The music is energetic and colorful and the libretto sticks very close to the Gogol short story that inspired it. The opera's fantastic elements are a foretaste of what Rimsky-Korsakov would provide in such works as Sadko, The Tale of Tsar Sultan and The Golden Cockerel. Yet, the opera's central theme is young love, initially challenged but ultimately prevailing.
 
 The opera's premiere had a mixed reception though subsequent performances were more successful. For collectors of opera trivia, it might be noted that in the first performance of May Night at the Mariinsky Theatre the role of the Village Mayor was sung by Fyodor Stravinsky, father of Igor Stravinsky.
 
 The Stanislavsky and Nemirovich-Danchenko Moscow Academic Music Theatre (www.stanmus.com) draws its history from 1919, when the Stanislavsky Opera Theatre and Vladimir Nemirovich-Danchenko's Music Theatre were organized. The company is famous for its fresh and vital productions of both classic and contemporary operas. This release of the company's acclaimed 2008 production of May Night marks the opera's first issue on DVD.
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