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| Schumann: Genoveva [Harnoncourt] [Arthaus] [ ÉLŐ ] |
| Robert Schumann (1810-1856) |
| Juliane Banse (szoprán), Cornelia Kallisch (mezzoszoprán), Shawn Mathey (tenor), Alfred Muff (basszus), Martin Gantner (bariton), Matthew Leigh (ének), Ruben Drole (basszbariton), Tomasz Slawinski (basszbariton), Zürichi Operaház Énekkara (vegyeskórus), Martin Kušej (rendező), Nikolaus Harnoncourt (karmester), Zürichi Operaház Zenekara (zenekar) |
első megjelenés éve: 2009
146 perc |
| Opera |
| (2009)
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Blu-ray disc |
| 8.064 Ft
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| 1. | Genoveva, Op.81
Juliane Banse (szoprán), Cornelia Kallisch (mezzoszoprán), Shawn Mathey (tenor), Martin Gantner (bariton), Alfred Muff (basszus), Matthew Leigh (ének), Ruben Drole (basszbariton), Tomasz Slawinski (basszbariton), Zürichi Operaház Énekkara (vegyeskórus), Martin Kušej (rendező), Nikolaus Harnoncourt (karmester), Zürichi Operaház Zenekara (zenekar)
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Opera in 4 acts
Libretto: Robert Schumann
First performance: 25 June 1850, Stadttheater, Leipzig
Recorded: 2008, Zurich Opera House
Genoveva - Juliane Banse
Golo - Shawn Mathey
Siegfried - Martin Gantner
Margaretha - Cornelia Kallisch
Drago - Alfred Muff
Hidulfus - Ruben Drole
Balthasar - Tomasz Slawinski
Caspar - Matthew Leigh
SCHUMANN'S GENOVEVA - A MODERN-DAY DRAMA OF THE SOUL
On 25th June 1850, Robert Schumann’s only opera, Genoveva, received its fi rst performance at Leipzig State Theatre. It was a much-awaited event, as Schumann, widely regarded as the leading German instrumental composer, had set his mind to the urgent task of creating a national opera. However, despite the efforts of the composer's supporters to maintain interest in the work, the opera was soon forgotten. When conductor Nikolaus Harnoncourt first came across Genoveva some 15 years ago (he subsequently recorded a CD of it in 1996), he voiced the opinion that "Genoveva is a work of art for which one should be prepared to go to the barricades." Harnoncourt sees the main reason why Genoveva has not been recognised as a brilliant composition and perhaps the most signifi cant opera written during the second half of the 19th century, as having much to do with the false expectations attached to the work. "You mustn't look for dramatic events in this opera. What it offers us is a glimpse into the soul. Schumann was not interested in creating something naturalistic - he wanted to write a type of opera in which the music had a greater say."
"Never before so vivid! Robert Schumann was only too familiar with passionate yearning, cold possessiveness and madness. In Zurich his underestimated opera Genoveva has undergone a brilliant revival."
---Die Zeit
"Juliane Banse as Genoveva produces a wonderfully soft, velvety sound, into which individual high notes are inserted with precision and passion. Martin Gantner [...] is an authoritative and grand-scale Siegfried."
---Frankfurter Rundschau
Sound: PCM Stereo, dts-HD Master Audio 7.1 |
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[ NTSC ] (1080i)