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| Three Ballets by Kenneth Macmillan - Elite Syncopations / The Judas TreeConcerto / Concerto [Opus Arte] [ ÉLŐ ] |
| Brian Elias (1948-), Dmitrij Sosztakovics (1906-1975), Scott Joplin (1868-1917) |
| Carlos Acosta (tánc), Edward Watson (tánc), Leanne Benjamin (tánc), Marianela Nunez (tánc), Sarah Lamb (tánc), Steven McRae (tánc), Valeri Hristov (tánc), Yuhui Choe (tánc), Kenneth MacMillan (koreográfia), Barry Wordsworth (karmester), Dominic Grier (karmester), Orchestra of the Royal Opera House, Covent Garden (zenekar), Robert Clark (karmester) |
angol
első megjelenés éve: 2010
104 perc |
| Balett |
| (2010)
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DVD video |
| 6.753 Ft
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| 1. | Elite Syncopations
Scott Joplin (1868-1917)
Sarah Lamb (tánc), Steven McRae (tánc), Valeri Hristov (tánc), Kenneth MacMillan (koreográfia), Orchestra of the Royal Opera House, Covent Garden (zenekar), Robert Clark (karmester)
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| 2. | The Judas Tree
Brian Elias (1948-)
Carlos Acosta (tánc), Edward Watson (tánc), Leanne Benjamin (tánc), Kenneth MacMillan (koreográfia), Barry Wordsworth (karmester), Orchestra of the Royal Opera House, Covent Garden (zenekar)
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| 3. | Piano Concerto No.2 in F, Op.102
Dmitrij Sosztakovics (1906-1975)
Marianela Nunez (tánc), Steven McRae (tánc), Yuhui Choe (tánc), Kenneth MacMillan (koreográfia), Dominic Grier (karmester), Orchestra of the Royal Opera House, Covent Garden (zenekar)
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Recorded: March 2010, Royal Opera House, Covent Garden
Bonus:
- Introductions to each ballet piece by Deborah MacMillan
MacMillan's vision has been vital in shaping The Royal Ballet's style & repertory, and what better way to appreciate his art than with this rare chance to experience three contrasting works in a single performance. Abstract, dramatic, humorous - this programme gives a wonderfully varied introduction not just to MacMillan's work but to the beauty and dramatic power of ballet itself. Concerto, to Shostakovich's Second Piano Concerto, contrasts moments of exuberance and elegiac reflection. The Judas Tree places a single woman among 13 men to enact a harrowing event that is recognizably contemporary but with biblical overtones. Elite Syncopations completes the programme with a sparkling evocation of a dance hall that brings ragtime rhythms to the dance, and a ragtime band to the stage.
"There has never been a choreographer that I can think of who could produce three such contrasting works, and you sit watching in wonderment at the fertile imaginings of his mind."
---Telegraph
"It's grisly, and yet horribly exciting in its momentum, as the men show off to each other like skateboarders, flinging themselves into barrel turns while knotting and unknotting their legs."
--- The Independent |
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