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| Cecilia Bartoli - Sospiri |
| André Caplet (1878-1925), Antonio Caldara (1670-1736), Antonio Vivaldi (1678-1741), Gabriel Fauré (1845-1924), Geminiano Giacomelli (1692-1740), Gioachino Rossini (1792-1868), Giuseppe Persiani (1799-1869), Vincenzo Bellini (1801-1835), Wolfgang Amadeus Mozart (1756-1791) |
| Cecilia Bartoli (koloraturszoprán), Juan Diego Florez (tenor), Daniele Rossi (ének), Cinzia Maurizio (hárfa), Luigi Piovano (cselló/gordonka), Bryn Terfel (basszbariton), Il Giardino Armonico (kamarazenekar), Chorus La Scintilla from the Opernhaus Zürich (vegyeskórus), Santa Cecilia Academy Chorus, Rome (vegyeskórus), Alessandro de Marchi (karmester), Bécsi Filharmonikusok (zenekar), Claudio Abbado (karmester), Fischer Ádám (karmester), Giovanni Antonini (karmester), Les Musiciens du Louvre (zenekar), Marc Minkowski (karmester), Myung-Whun Chung (karmester), Santa Cecilia Academy Orchestra, Rome (zenekar), Orchestra La Scintilla from the Opernhaus Zürich (zenekar) |
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| (2010)
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| 4.492 Ft
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| 1. | La Sonnambula - "Ah! Non credea mirarti"
Vincenzo Bellini (1801-1835)
Cecilia Bartoli (koloraturszoprán), Juan Diego Florez (tenor), Alessandro de Marchi (karmester), Orchestra La Scintilla from the Opernhaus Zürich (zenekar)
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| 2. | Norma - "Casta Diva...Ah! bello a me ritorna" [Norma/Coro, Act 1]
Vincenzo Bellini (1801-1835)
Cecilia Bartoli (koloraturszoprán), Orchestra La Scintilla from the Opernhaus Zürich (zenekar)
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| 3. | Quel buon pastor son io
Antonio Caldara (1670-1736)
Cecilia Bartoli (koloraturszoprán), Il Giardino Armonico (kamarazenekar), Giovanni Antonini (karmester)
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| 4. | Requiem, Op.48 - 4. Pie Jesu
Gabriel Fauré (1845-1924)
Cecilia Bartoli (koloraturszoprán), Santa Cecilia Academy Chorus, Rome (vegyeskórus), Myung-Whun Chung (karmester), Santa Cecilia Academy Orchestra, Rome (zenekar)
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| 5. | Panis angelicus
André Caplet (1878-1925)
Cecilia Bartoli (koloraturszoprán), Daniele Rossi (ének), Cinzia Maurizio (hárfa), Luigi Piovano (cselló/gordonka)
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| 6. | Merope - "Sposa, non mi conosci"
Geminiano Giacomelli (1692-1740)
Cecilia Bartoli (koloraturszoprán), Les Musiciens du Louvre (zenekar), Marc Minkowski (karmester)
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| 7. | Le nozze di Figaro - "Voi che sapete che cosa e amor" [Cherubino, Act 2]
(Cherubino ariettája, II. felvonás)
Wolfgang Amadeus Mozart (1756-1791)
Cecilia Bartoli (koloraturszoprán), Bécsi Filharmonikusok (zenekar), Claudio Abbado (karmester)
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| 8. | Don Giovanni - "Lá ci darem la mano" [Don Giovanni/Zerlina, Act 1]
Wolfgang Amadeus Mozart (1756-1791)
Cecilia Bartoli (koloraturszoprán), Bryn Terfel (basszbariton), Myung-Whun Chung (karmester), Santa Cecilia Academy Orchestra, Rome (zenekar)
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| 9. | Vesperae solennes de confessore in C, K339 - 5. Laudate Dominum omnes gentes
(Solemn Vespers)
Wolfgang Amadeus Mozart (1756-1791)
Cecilia Bartoli (koloraturszoprán), Santa Cecilia Academy Chorus, Rome (vegyeskórus), Myung-Whun Chung (karmester), Santa Cecilia Academy Orchestra, Rome (zenekar)
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| 10. | Cari Giorni (Romanza der Ines)
Giuseppe Persiani (1799-1869)
Cecilia Bartoli (koloraturszoprán), Fischer Ádám (karmester), Orchestra La Scintilla from the Opernhaus Zürich (zenekar)
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| 11. | Il Barbiere di Siviglia - "Una voce poco fa"
Gioachino Rossini (1792-1868)
Cecilia Bartoli (koloraturszoprán), Chorus La Scintilla from the Opernhaus Zürich (vegyeskórus), Fischer Ádám (karmester), Orchestra La Scintilla from the Opernhaus Zürich (zenekar)
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| 12. | Il Farnace, RV711 - "Gelido in ogni vena"
Antonio Vivaldi (1678-1741)
Cecilia Bartoli (koloraturszoprán), Chorus La Scintilla from the Opernhaus Zürich (vegyeskórus), Fischer Ádám (karmester), Orchestra La Scintilla from the Opernhaus Zürich (zenekar)
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Cecilia Bartoli is loved the world over for vocal fireworks and spectacular coloratura, but she is also adored for her spine-tingling pianissimi and her ability to shape endless, velvety phrases. For the first time, this product will focus on the irresistibly sensual side of Cecilia Bartoli's art. It has been conceived as a popular "mood" or lifestyle compilation - presenting quieter arias showcasing Cecilia's vocal beauty, sensuality and emotion. "Sospiri" is designed to present this most accessible aspect of Cecilia Bartoli's art to the broadest popular-classical market.
"Sospiri" will contain favourite arias by Mozart and Handel, bel canto jewels by Bellini and Rossini and treasures by Vivaldi as well as music which Cecilia Bartoli has “rediscovered” on her recent record-breaking solo albums.
For Cecilia’s existing fans, the Prestige Edition includes a previously unreleased aria and world premiere recording of Vinci’s Cervo in bosco, one of Farinelli’s calling card arias.
Both formats include a new interpretation of Rosina's aria Una voce poco fa, from Il Barbiere di Siviglia - the dazzling aria of young love, the role in which Cecilia Bartoli first shot to international stardom. She infuses this new interpretation with all her knowledge of the baroque and classical tradition on which Rossini’s music was founded, her experience of period practice and critical reading of the manuscripts, together with a playfulness and variety of colors which she has acquired over the years. On this track recorded during the Maria sessions Cecilia Bartoli is accompanied by a fantastic period practice orchestra, Orchestra La Scintilla. |
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