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A film by Reiner E. Moritz
Mary Cassat: The Bath (1891–1893)
Max Liebermann: Women mending Nets (1942)
Albert Edelfeldt: Im Jardin du Luxembourg - Paris, 1887
Peter Severin Krøyer: Summer evening at Skagen 1893
Gustave Caillebotte: Paris street scene in the rain, 1877
1000 Masterpieces from the Great Museums of the World is one of the most successful TV series about art. The original, with improved image quality, takes us on a fascinating journey through the history of art. Comprehensively illustrated and compellingly presented - the well-known authors of five short art surveys provide a deeper insight into the masterpieces of painting.
In 1874, a group of artists nicknamed the Impressionists scandalized Paris with its first exhibition. The spirit of these young en plein air painters, who declared that the essence of their art was about capturing the impression of the moment in the colourful play of light, was too revolutionary. Cassatt, Caillebotte, Liebermann, Kroyer and Edelfelt represented a worldwide revolt that ushered in modernism by breaking with conventional ways of seeing the world.
Running time: 5 x 10 mins
Perhaps the most successful production of the piece in the past generation was the one created by Jean-Pierre Ponnelle for the Salzburg Festival in Mozart's hometown in the Austrian highlands. It opened to rave reviews in 1978 and played to packed houses for another nine summers. In 1982, Austrian Television taped a performance that subsequently was broadcast in this country on PBS. A very fond memory for those who saw it, the production is now back in circulation on DVD (TDK CLOPMF, two discs). James Levine conducted the Vienna Philharmonic and Vienna State Opera Chorus and a cast putatively led by Edita Gruberova (Queen of the Night), Peter Schreier (Tamino), Ileana Cotrubas (Pamina) and Martti Talvela (Sarastro). The star of the show, however, was the Papageno: Christian Boesch, a strapping baritone whose knack for physical comedy was matched by his unaffected projection of vulnerability and pathos. (After a long run of Papagenos in Salzburg and Vienna, Boesch retired to Chile and became a cranberry grower.) Staged in Salzburg's old riding academy, Ponnelle's Magic Flute was monumental in scale and special effects yet also successful in its more intimate scenes, and exceptionally well-attuned to the comedy laced through the show. And rarely was the transition from drama to comedy jarring, as it so easily can be in this work. Clarke Bustard, Richmond Times-Dispatch Clarke Bustard, Richmond Times-Dispatch |
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[ NTSC ] (???)