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Verdi: Macbeth [Pappano] [Opus Arte] [ ÉLŐ ] |
Giuseppe Verdi (1813-1901) |
Nigel Cliffe (bariton), Raymond Aceto (bariton), Simon Keenlyside (bariton), Dmitri Pittas (ének), Elisabeth Meister (ének), Liudmyla Monastryrska (ének), Steven Ebel (ének), Chorus of the Royal Opera House, Covent Garden (vegyeskórus), Antonio Sir Pappano (karmester), Orchestra of the Royal Opera House, Covent Garden (zenekar) |
első megjelenés éve: 2012 170 perc |
Opera |
(2012)
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 DVD video |
6.753 Ft
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1. | Macbeth
Nigel Cliffe (bariton), Raymond Aceto (bariton), Simon Keenlyside (bariton), Dmitri Pittas (ének), Elisabeth Meister (ének), Liudmyla Monastryrska (ének), Steven Ebel (ének), Chorus of the Royal Opera House, Covent Garden (vegyeskórus), Antonio Sir Pappano (karmester), Orchestra of the Royal Opera House, Covent Garden (zenekar)
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Opera in 4 acts Libretto: Francesco Maria Piave with Andrea Maffei [Based: Shakespeare: Macbeth] First performance: March 14, 1847, Teatro della Pergola, Florence
Recorded: 13 June 2011, Royal Opera House
Macbeth - Simon Keenlyside Banquo - Raymond Aceto Lady Macbeth - Liudmyla Monastryrska Servant - Nigel Cliffe Malcolm -Steven Ebel Lady - Elisabeth Meister Macduff - Dmitri Pittas
Bonus: - Cast gallery - Interviews with Simon Keenlyside, Raymond Aceto and Liudmyla Monastryrska - Rehearsing Macbeth with Antonio Pappano
Black, red, cream and gold are the colours that define Phyllida Lloyd's Royal Opera House staging of Verdi's robust, yet penetrating setting of Shakespeare's Scottish play. Manipulated by a whole coven of cunning, scarlet-turbanned witches, the characters often evoke figures in a splendid Gothic fresco. With Simon Keenlyside making his British debut, as an athletic, brooding Macbeth and Liudmyla Monastyrska as his Lady, both imperious and subtle, this performance, masterfully conducted by Antonio Pappano, goes far beyond mere sound and fury. This production went out LIVE to cinema screens around the world. '...an impressive company showcase, full of moments when chorus and orchestra are at full throttle. Whipped up by Antonio Pappano's baton, they sound truly thrilling.' ---The Guardian |
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