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| 1. | Sonata for Cello and Piano No.1 in E minor, Op.38
(e-moll szonáta gordonkára és zongorára)
Gabriel Schwabe (cselló/gordonka), Nicholas Rimmer (zongora)
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| 4. | 4 Gesange, Op.43: No.2 Die Mainacht
Gabriel Schwabe (cselló/gordonka), Nicholas Rimmer (zongora)
Arr. G. Schwabe and N. Rimmer for cello and piano |
| 5. | 5 Lieder, Op.47
Gabriel Schwabe (cselló/gordonka), Nicholas Rimmer (zongora)
Excerpts - arr. G. Schwabe and N. Rimmer for cello and piano |
| 7. | 5 Gesänge, Op.72: No.4 Verzagen
Gabriel Schwabe (cselló/gordonka), Nicholas Rimmer (zongora)
Arr. G. Schwabe and N. Rimmer for cello and piano |
| 8. | 6 Lieder, Op.85: No.1 Sommerabend
Gabriel Schwabe (cselló/gordonka), Nicholas Rimmer (zongora)
Arr. G. Schwabe and N. Rimmer for cello and piano |
| 9. | 6 Lieder, Op.97: No.1 Nachtigall
Gabriel Schwabe (cselló/gordonka), Nicholas Rimmer (zongora)
Arr. G. Schwabe and N. Rimmer for cello and piano |
| 10. | Sonata for Cello and Piano No.2 in F major, Op.99
(F-dúr szonáta gordonkára és zongorára)
Gabriel Schwabe (cselló/gordonka), Nicholas Rimmer (zongora)
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Recorded: 16-18 December, 2014, Sendesaal Bremen, Germany
A period of twenty-one years separates Brahms' two Cello Sonatas. Suffused with lyricism and expressive ardour, the First has become one of his most popular chamber works. The Second is more sober and succinct than the earlier work, yet strikingly original not least for the wide range required of the cellist to reach unusually high notes from the very low register. Chosen to suit the cello's particular colour and articulation, the six songs are heard in idiomatic and sensitive arrangements which stay as close as possible to the originals. |
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