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Kérjen
árajánlatot! |
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| 1. | Li saracin' adorano la sole [Il primo libro di Villanelle, 16th Century]
Aquila Altera (kamarazenekar), Le Cantrici di Euterpe, L'Aquila (nőikórus)
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| 2. | Saltarello I [London, British Library Additional 29987, 14th Century]
Aquila Altera (kamarazenekar)
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| 3. | Dolce lo mio drudo
Aquila Altera (kamarazenekar), Le Cantrici di Euterpe, L'Aquila (nőikórus)
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| 4. | Sonata al passo delle capre, tradizionale [Crapareccia, sonata del basso Lazio]
Aquila Altera (kamarazenekar)
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| 5. | E vantende segnor mio [Codice Paris Reina 6771, 14th Century]
Aquila Altera (kamarazenekar), Le Cantrici di Euterpe, L'Aquila (nőikórus)
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| 6. | Saltarello II [London, British Library Additional 29987, 14th Century]
Aquila Altera (kamarazenekar)
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| 7. | Madonna Santa Maria [Laudario di Cortona, Ms. 91, Biblioteca Comunale di Cortona]
Aquila Altera (kamarazenekar), Le Cantrici di Euterpe, L'Aquila (nőikórus)
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| 8. | Saltarello III [London, British Library Additional 29987, 14th Century]
Aquila Altera (kamarazenekar)
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| 9. | Dolce Vergina Maria [Laudario Magliabechiano, MS Banco Rari 18 testo Ugo Panziera da Prato, 14th Century]
Aquila Altera (kamarazenekar), Le Cantrici di Euterpe, L'Aquila (nőikórus)
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| 10. | Non posso far bucato che non piova [London, British Library Additional 29987, 14th Century]
Aquila Altera (kamarazenekar), Le Cantrici di Euterpe, L'Aquila (nőikórus)
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| 11. | Tradizionale [Ballarelle della famiglia Palazzo di Esperia]
Aquila Altera (kamarazenekar)
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| 12. | O Vergin santa [Libro Primo delle Laudi Spirituali da diversi fra Serafino Razzi, 16th Century]
Aquila Altera (kamarazenekar), Le Cantrici di Euterpe, L'Aquila (nőikórus)
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| 13. | O Maria diana stella [Lauda Aquilana, 15th Century]
Aquila Altera (kamarazenekar), Le Cantrici di Euterpe, L'Aquila (nőikórus)
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| 14. | Li saracin' adorano la sole [Canzone Napolitane, 16th Century]
Aquila Altera (kamarazenekar), Le Cantrici di Euterpe, L'Aquila (nőikórus)
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Recorded: November 2013, Palazzetto dei Nobili L'Aquila, Italy
The Aquila Altera ensemble keeps in mind the acquisitions of the most reliable musicological studies that claim that the gap between us and early music is so unbridgeable as to make it impossible to take into consideration any musical performance removing it from its own historical context and time; but this does not prevent the ensemble from developing a particular musical approach whereby music from the learned, therefore written, tradition, is compared with music that owes its existence to oral transmission. This research sets the two repertoires side by side, endeavouring to detect a possible relationship between them, not only in their musical aspects, but also in their texts. The repertoire that is presented here, which is entirely Italian, juxtaposes pieces drawn from manuscripts or printed collections from the thirteenth to sixteenth centuries with pieces (and performance practices) that stem from an oral tradition and from the use of musical instruments of the Italian tradition, in addition to the more common ones. These instruments have been reconstructed on the basis of the historical sources, and one of the most widespread and musically important is the bagpipe. |
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