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Rota: The Night of A Neurotic / The Two Timid Ones (2CD) Rota: La Notte Di Un Nevrastenico / I Due Timidi (2CD) [Bonolis] [Dynamic] |
Nino Rota (1911-1979) |
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első megjelenés éve: 2019 |
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 2 x CD |
5.457 Ft
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Category: OPERA / Sung in: Italian Audio Format: DDD Recording date & place: September 2017 - Teatro Flavio Vespasiano, Rieti, Italy Duration: 105 min. Notes: Italian, English Packaging: Jewel Box
Conductor: Gabriele Bonolis Orchestra: Reate Festival Orchestra Director: Cesare Scarton Set Designer: Michele Della Cioppa Costume Designer: Anna Biagiotti Light Designer: Andrea Tocchio Theater: Reate Festival 2017 Cast: LA NOTTE DI UN NEVRASTENICO The Neurotic - Giorgio Celenza The Consierge - Carlo Feola The Commendatore - Daniele Adriani She - Sabrina Cortese He - Antonio Sapio A Floor Boy - Vincenzo Carnì Hotel Staff - Maria Rita Combattelli, Lucia Filaci, Siri Kval Ødegård, Mariangela De Vita, Vincenzo Carnì, Giacomo Nanni.
I DUE TIMIDI The Narrator - Giorgio Celenza Mariuccia - Sabrina Cortese Raimondo - Daniele Adriani Mrs. Guidotti - Chiara Osella Dr. Sinisgalli - Antonio Sapio Mariuccia’s Mother - Mariangela De Vita Vittorio - Giacomo Nanni Lucia - Lucia Filaci Maria - Maria Rita Combattelli Lisa - Siri Kval Ødegård A guest - Giacomo Nanni
The 2017 Reate Festival in Rieti, Italy staged two short operas composed by Nino Rota. Known chiefly for his cinema soundtracks and his lifelong relationship with iconic directors such as Federico Fellini, Francis Ford Coppola and Luchino Visconti (to name but a few), Rota was a musical enfant prodige who composed sacred music as well as operas from a very young age. Endowed with a streak of freedom, creativity and imagination that allowed him to forge his own unique style, he succeeded in merging the great Italian operatic tradition of Rossini, Puccini and Verdi with a contemporary musical language, setting himself apart from his contemporaries in the process. La notte di un nevrastenico premiered at the Piccola Scala in 1960; the libretto is by Riccardo Bacchelli. It’s a short farce with a tragic, unexpected ending. Centre stage we find the neurotic’s bed, which is the altar on which he sacrifices his own sanity. “Both the singers and the set design manage to convey a sense of suspense, with an oppressive, yet oddly amusing ambience... the whole cast delivered a great performance and mastered the stage with excellent acting and vocal skills.” (Giornaledellamusica.it) I due timidi was broadcast by Milan’s RAI in 1950 and first staged in London in 1952. Based on a text by the Italian screen writer Suso Cecchi D’Amico, it’s a comedy of errors. Although it lacks the usual happy ending, the pace of the musical action and the skills of the young actor-singers make the performance most enjoyable. “The pace of the narration changes continuously: frenzied rhythms suddenly shift to broad vocal declamations à la Puccini, with interludes reminiscent of jazz and the buffo style. Despite the richness and heterogeneity of the musical material, the singers always manage to stay vocally balanced, showing great acting abilities, as well... Conductor Gabriele Bonolis and his orchestra received mid- performance applause for an energetic, fresh and brilliant performance.” (Quinteparallele.net) |
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