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| 3.297 Ft
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| 1. | Black, Brown and Beige, Pt. 1
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| 2. | Black, Brown and Beige, Pt. 2
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| 3. | Black, Brown and Beige, Pt. 3 [AKA Light]
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| 4. | Black, Brown and Beige, Pt. 4 [AKA Come Sunday]
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| 5. | Black, Brown and Beige, Pt. 5 [AKA Come Sunday]
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| 6. | Black, Brown and Beige, Pt. 4 [23rd Psalm]
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| 7. | Track 360 [Aka Trains][*]
Alternate Take
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| 8. | Blues in Orbit [Aka Tender][*]
Alternate Take
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| 9. | Black, Brown and Beige, Pt. 1
Alternate Take
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| 10. | Black, Brown and Beige, Pt. 2
Alternate Take
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| 11. | Black, Brown and Beige, Pt. 3
Alternate Take
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| 12. | Black, Brown and Beige, Pt. 4 [AKA Come Sunday]
Alternate Take
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| 13. | Black, Brown and Beige, Pt. 5 [AKA Come Sunday]
Alternate Take
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| 14. | Black, Brown and Beige, Pt. 4 [23rd Psalm]
Alternate Take
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| 15. | Studio Conversation
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| 16. | Come Sunday
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| 17. | [Six Second Pause Track]
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Jazz
This album, Duke Ellington's revised version of his formerly 50-minute long "Black, Brown and Beige," has always been a bit of a disappointment. Stung by criticism from 15 years before, Ellington divided the suite into six much shorter sections, leaving in "Come Sunday" (which is hurt by Johnny Hodges's absence due to a brief illness) and "Work Song" and featuring gospel singer Mahalia Jackson during two of the parts. Despite some good moments, this rendition has little of the power of the original arrangement. |
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