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| 10.209 Ft
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| 1. | Algonquin
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| 2. | Nita's Waltz
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| 3. | Bone and Bari
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| 4. | Heart and Soul
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| 5. | Again
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| 6. | Pickup
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Jazz / Hard Bop
Curtis Fuller - Trombone
Alfred Lion - Producer
Art Taylor - Drums
Francis Wolff Cover Photo
Paul Chambers Bass
Rudy Van Gelder Engineer
Sonny Clark Piano
Tate Houston Brass, Sax (Baritone)
Tom Hannan Cover Design
Japanese 24-bit remastered reissue of 1957 album packaged in a miniature LP sleeve, features six tracks.
24bit Digitally Remastered Japanese Limited Edition in an LP-STYLE Slipcase.
Curtis Fuller emerged during the 1950s as a leading hard bop trombonist. A native of Detroit, Fuller was initially inspired by hearing J.J. Johnson, who became a mentor for the young musician. This recording was completed only weeks before Fuller went into the studio to record John Coltrane's Blue Trane. The session is unique in its pairing of trombone with the baritone sax of Tate Houston. The resultant front line sound is thick and rotund. The rhythm section of Sonny Clark, Paul Chambers and Art Taylor had a lovely rapport; individually and collectively, these three made many important recordings in the late 1950s, especially for the Blue Note label. Highlights of Bone & Bari include the title tune, penned by Fuller, and the group's rendering of the standard "Heart and Soul." ~ Lee Bloom, All Music Guide
Curtis Fuller
Active Decades: '50s, '60s, '70s, '80s, '90s and '00s
Born: Dec 15, 1934 in Detroit, MI
Genre: Jazz
Curtis Fuller belongs in the select circle with J.J. Johnson, Kai Winding and a few others who make the trombone sound fluid and inviting rather than awkward. His ability to make wide octave leaps and play whiplash phrases in a relaxed, casual manner is a testament to his skill. Fuller's solos and phrases are often ambitious and creative, and he's worked in several fine bands and participated in numerous great sessions. Fuller studied music in high school, then began developing his skills in an army band, where he played with Cannonball Adderley. He worked in Detroit with Kenny Burrell and Yusef Lateef, then moved to New York. Fuller made his recording debut as a leader on Transition in 1955, and recorded in the late '50s for Blue Note, Prestige, United Artists and Savoy. He was a charter member of The Jazztet with Benny Golson and Art Farmer in 1959, then played in Art Blakey's Jazz Messengers from 1961 to 1965. There were additional recording dates for Warwick, Smash/Trip, Epic, and Impulse in the '60s. Fuller toured Europe with Dizzy Gillespie's big band in 1968, then did several sessions in New York. During the '70s, he experimented for a time playing hard bop arrangements in a band featuring electronic instruments, heading a group with guitarist Bill Washer and Stanley Clarke. He concluded that phase with the '73 album Crankin.' Fuller toured with the Count Basie band from 1975 to 1977, and did dates for Mainstream, Timeless, and Bee Hive. He co-led the quintet Giant Bones with Winding in 1979 and 1980, and played with Art Blakey, Cedar Walton and Benny Golson in the late '70s and early '80s. During the '80s, Fuller toured Europe regularly with the Timeless All-Stars, and performed and recorded with the revamped Jazztet in addtion to leading a fine session for Savoy in 1993.
---Ron Wynn, All Music Guide |
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