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| 3.801 Ft
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| 1. | Together Again
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| 2. | Serenade in Blue/ Where Is the Love
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| 3. | Lorraine's Walk/Willow Weep for Me
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| 4. | Nica's Dream
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| 5. | Goodbye/Flamingo
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| 6. | Live and Love/One for Horace
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| 7. | Bouncing with Bud
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| 8. | Memphis Blues
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| 9. | The Midnight Sun Will Never Set
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| 10. | Out of This World
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| 11. | Giant Steps/Everything I Have Is Yours/Where Is the Love (Reprise)
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Jazz
Recorded at Ardent Recording Studios, Memphis, Tennessee
Phineas Newborn, Jr. - solo piano
A collection of eleven solo recordings, originally released by Atlantic in the mid-1970s. Recorded on a standard studio piano rather than a concert grand, "Solo Piano" is an unbelievably intimate experience with this wonderfully talented pianist.
Originally released on Atlantic (1672)
Phineas Newborn, Jr.
Active Decades: '50s, '60s, '70s and '80s
Born: Dec 14, 1931 in Whiteville, TN
Died: May 26, 1989 in Memphis, TN
Genre: Jazz
Styles: Hard Bop, Mainstream Jazz
One of the most technically skilled and brilliant pianists in jazz during his prime, Phineas Newborn remains a bit of a mystery. Plagued by mental and physical problems of unknown origin, Newborn faded from the scene in the mid-1960s, only to re-emerge at irregular intervals throughout his life. Newborn could be compared to Oscar Peterson in that his bop-based style was largely unclassifiable, his technique was phenomenal, and he was very capable of enthralling an audience playing a full song with just his left hand.
He started out working in Memphis R&B bands with his brother, guitarist Calvin Newborn, and recorded with local players including B.B. King in the early 1950s. Brief stints with Lionel Hampton and Willis Jackson preceded a period in the military (1952-54). After moving to New York in 1956, Newborn astounded fans and critics alike. Although he worked briefly with Charles Mingus (1958) and Roy Haynes, Newborn usually performed at the head of a trio or quartet. His early recordings for Atlantic (1956), Victor, Roulette and Contemporary are quite outstanding. Unfortunately, after the mid-'60s, Newborn's profile dropped sharply, and although there were further recordings for Contemporary (1969), Atlantic (1969), Pablo (1976) and the Japanese Philips (1977) label, and although he still sounded strong when appearing in public, the pianist was in danger of being forgotten by most of the jazz world during his last decade. Spending most of his time in Memphis, he was an inspiration to many younger pianists including James Williams, Harold Mabern, Mulgrew Miller, Donald Brown and Geoff Keezer, who after Newborn's death would dedicate their work as the Contemporary Piano Ensemble to Phineas. Fortunately, the episode of Jazz Scene USA that features Phineas Newborn in 1962 has been made available on a video by Shanachie.
--- Scott Yanow, All Music Guide |
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