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| The Complete Bitches Brew Sessions (4CD) [ ÉLŐ ] |
| Miles Davis |
| első megjelenés éve: 1970 |
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| (2007)
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4 x CD |
Kérjen
árajánlatot! |
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| 1. CD tartalma: |
| 1. | Pharaoh's Dance
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| 2. | Bitches Brew
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| 3. | Spanish Key
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| 4. | John McLaughlin
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| 2. CD tartalma: |
| 1. | Miles Run The Voodoo Down
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| 2. | Sanctuary
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| 3. | Great Expectations
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| 4. | Orange Lady
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| 5. | Yaphet*
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| 6. | Corrado*
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| |
| 3. CD tartalma: |
| 1. | Trevere*
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| 2. | The Big Green Serpent*
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| 3. | The Little Blue Frog (Alt)*
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| 4. | The Little Blue Frog (Mst)
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| 5. | Lonely Fire
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| 6. | Guinnevere
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| |
| 4. CD tartalma: |
| 1. | Feio*
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| 2. | Double Image*
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| 3. | Recollections*
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| 4. | Take It Or Leave It*
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| 5. | Double Image
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Jazz / Jazz-Rock; Fusion
Recorded: Aug 19, 1969-Feb 6, 1970
*Previously unissued
If Miles Davis' In A Silent Way was like lightning in the distance, then Bitches Brew, Its 1969 companion piece (and follow-up), was the first full-blown electrical storm orchestrated by the relentlessly innovative trumpeter-bandleader. Bitches Brew, originally issued as a two-LP set, unleashed, in the phrase of writer Gary Giddins, "the tribe of fusion." Once again, Davis (1925-1991) had set the tone and direction for modern jazz, melding outer-limits improvisation with the rhythms, bass lines, vamps, and timbres of the rock'n'roll synonymous with James Brown, Sly Stone, and Jimi Hendrix. Brew's long and intrepid jams threw down the gauntlet.
With his core quintet (including saxaphonist Wayne Shorter, keyboardist Chick Corea, bassist Dave Holland, and drummer Jack DeJohnette) in tow, Davis expanded the ensemble to as many as twelve pieces, bringing in an exciting mix of older guard (such as Keyboardist Joe Zawinul) and fresh presences like reedman Bennie Maupin, organist Larry Young, and especially guitarist John McLaughlin. By turns churning and contemplative, airy and grounded, structured and free, Bitches Brew stretched and sculpted the music into previously unheard shapes. The twenty-cuts on these four discs, with nine performances previously unissued, continue to reverberate within the jazz world, and beyond.
96 page booklet containing: a heartfelt introduction by Carlos Santana; essays by Qyincy Troupe (co-auther of Miles' autobiography) and Producers Michael Cuscuna and Bob Belden: detailed discography; many rare and previously unpublished photos.
24 Bit Digitally Remastered
Columbia's continuing summation of the career of Miles Davis through lavish box set reissues resumed in 1998 with the Complete Bitches Brew Sessions, a four-disc set including all the music from the original 1970 double-album Bitches Brew, plus over two additional hours of music from the six-month period during which the album was recorded. (Some of those tracks were previously released on compilations like Big Fun and Circle in the Round, but almost one-third of the material lay unissued until this release.) The music is simply fabulous -- the simultaneous birth and peak of jazz-rock/fusion, with a host of major players (John McLaughlin, Chick Corea, Joe Zawinul, Wayne Shorter, Jack DeJohnette) and many innovations. There is a bit more evidence of tape hiss than in Columbia's last American remastering of the album, but the revelations of depth and timbre more than make up for it. Though the unreleased selections are distinctly inferior to those released on Bitches Brew, "Yaphet," "Corrado," and "Trevere" are intriguing jam sessions that reveal much about the creative process between Davis and producer Teo Macero during recording. Unlike Columbia's previous sets in the series (one treating Miles' period of collaboration with Gil Evans and one featuring the music of his second classic quintet), the Bitches Brew sessions lend themselves well to a box set of this type -- presenting the music in chronological order does no harm to original LP configurations as it did on previous sets, and the music here is another glowing testament to Miles' importance to the development of jazz in 1969, as in 1949.
--- John Bush, allmusic |
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