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| The Other Side of Jobim |
| Ana Caram |
| első megjelenés éve: 1992 |
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| (1992)
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CD |
Kérjen
árajánlatot! |
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| 1. | Esperança Perdida
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| 2. | Olha Maria
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| 3. | Demais
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| 4. | Ana Luiza
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| 5. | Correnteza
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| 6. | Sem Voce
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| 7. | Falando de Amor
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| 8. | Samba Torto
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| 9. | Eu Te Amo
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| 10. | Caminhos Cruzados
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| 11. | Eu Náo Existo Sem Voce
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Jazz
Ana Caram - Guitar, Vocals
David Finck - Bass
Erik Friedlander - Cello
Jamey Haddad - Percussion
Matthew Dine - Oboe
Sergio Assad - Arranger, Director, Guitar, Guitar (12 String Acoustic), Guitar (12 String), Musical Director
Steve Sacks - Assistant Producer, Flute, Liner Notes, Sax (Soprano)
Ana first demonstrated her long-standing admiration and respect for Jobim's music on Rio After Dark, in two duet performances with the master himself, which were among the album's high points. A hard act to follow as tributes go, but in this new album, Caram has out done herself, flirting with commercialism while maintaining an undeniable sense of dignity.
* Bob Katz - Editing, Engineer
* Christine Chagnon - Art Direction
* Christine Changnon - Art Direction
* Dave Rubin - Assistant Producer, Production Assistant
* David Chesky - Producer
* Jeremy Kipnis - Assistant Engineer, Editing
* Jim Lopata - Producer, Production Coordination
* Liz Fierstein - Hair Stylist, Stylist
* Norman Chesky - Executive Producer
* Roy Spangenthal - Project Director
* Stanley Schnier - Photography
* Steve Guttenberg - Assistant Producer, Associate Producer
Exalted as "The George Gershwin of Brazil," Antonio Carlos Jobim was an incredibly prolific composer who wrote many songs that became standards in Brazilian and jazz circles. But in fact, Jobim also composed many great songs that aren't standards, and on this absorbing CD, Ana Caram insightfully spotlights some of the Jobim pearls that aren't nearly as well known as "The Girl From Ipanema," "Triste" or "Corcovado." Indeed, The Other Side of Jobim underscores the fact that for every "Desafinado" or "One Note Samba" he wrote, there was a lesser-known treasure like "Ana Luiza," "Olha Maria" or "Esperanca Perdida." Even those with an extensive knowledge of Brazilian music may not be familiar with "Correnteza" or "Demais," but as Caram obviously realizes, they certainly deserve to be.
---Alex Henderson, All Music Guide |
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