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Julian Cannonball Adderley and Strings / Jump for Joy
"Cannonball" Adderley
első megjelenés éve: 1958
68 perc
(2006)

CD
4.320 Ft 

 

IMPORT!
Kosaramba teszem
1.  I Cover the Waterfront
2.  A Foggy Day
3.  The Surrey With the Fringe on Top
4.  Two Sleepy People
5.  I'll Never Stop Loving You
6.  (I'm Afraid) The Masquerade Is Over
7.  I've Never Been in Love Before
8.  Lonely Dreams
9.  Falling in Love With Love
10.  Street of Dreams
11.  Polka Dots and Moonbeams
12.  You Are Too Beautiful
13.  Two Left Feet
14.  Just Squeeze Me
But Don't Tease Me
15.  I Got It Bad
And That Ain't Good
16.  Nothin'
17.  Jump for Joy
18.  Bli-Blip
19.  Chocolate Shake
20.  If Life Were All Peaches and Cream
21.  Brown-Skin Gal
In the Calico Gown
22.  The Tune of the Hickory Stick
Jazz / Soul-Jazz; Hard Bop

Julian Cannonball Adderley and Strings
1-12. tracks - 33:16 min.
Recorded: October 27,1955 (9~12), Otober,28,1955 (1~8), Fine Sound, New York, New York City
Cannonball Adderley - alto saxophone
Richard Hayman - arranger, conductor
Richard Hayman's Orchestra

Jump for Joy
13-22. tracks - 33:54 min.
Recorded: Aug 20 and 21, 1958, New York City
Julian Cannonball Adderley - alto sax
Emmett Berry - trumpet
Gene Orloff - violins
Leo Kruczek - violins
Dave Schwartz - viola
George Ricci - cello
Milt Hinton - bass
Bill Evans - piano
Barry Gaibraith - guitar
Jimmy Cobb drums

This CD reissues two complete LPs from near the beginning of altoist Cannonball Adderley's career. The first session is quite unusual for Adderley (who was completely unknown just a few months earlier) was given a very early opportunity to record with strings. He sounds fine on 11 standards and Terry Gibbs's "Lonely Dreams" but mostly sticks near the melody while Richard Hayman's Orchestra sounds rather anonymous. The 1958 sessions finds him performing ten songs from the early-'40s Duke Ellington show Jump for Joy (including "Just Squeeze Me," "I Got It Bad" and "Jump for Joy") while accompanied by a string quartet, a rhythm section and trumpeter Emmett Berry; Bill Russo provided the generally stimulating arrangements. The formerly rare music on this CD is enjoyable but not as essential as Adderley's slightly later Riverside albums.
---Scott Yanow, allmusic

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