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Julian Cannonball Adderley and Strings / Jump for Joy |
"Cannonball" Adderley |
első megjelenés éve: 1958 68 perc |
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(2006)
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 CD |
4.320 Ft
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1. | I Cover the Waterfront
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2. | A Foggy Day
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3. | The Surrey With the Fringe on Top
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4. | Two Sleepy People
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5. | I'll Never Stop Loving You
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6. | (I'm Afraid) The Masquerade Is Over
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7. | I've Never Been in Love Before
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8. | Lonely Dreams
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9. | Falling in Love With Love
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10. | Street of Dreams
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11. | Polka Dots and Moonbeams
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12. | You Are Too Beautiful
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13. | Two Left Feet
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14. | Just Squeeze Me
But Don't Tease Me
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15. | I Got It Bad
And That Ain't Good
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16. | Nothin'
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17. | Jump for Joy
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18. | Bli-Blip
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19. | Chocolate Shake
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20. | If Life Were All Peaches and Cream
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21. | Brown-Skin Gal
In the Calico Gown
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22. | The Tune of the Hickory Stick
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Jazz / Soul-Jazz; Hard Bop
Julian Cannonball Adderley and Strings 1-12. tracks - 33:16 min. Recorded: October 27,1955 (9~12), Otober,28,1955 (1~8), Fine Sound, New York, New York City Cannonball Adderley - alto saxophone Richard Hayman - arranger, conductor Richard Hayman's Orchestra
Jump for Joy 13-22. tracks - 33:54 min. Recorded: Aug 20 and 21, 1958, New York City Julian Cannonball Adderley - alto sax Emmett Berry - trumpet Gene Orloff - violins Leo Kruczek - violins Dave Schwartz - viola George Ricci - cello Milt Hinton - bass Bill Evans - piano Barry Gaibraith - guitar Jimmy Cobb drums
This CD reissues two complete LPs from near the beginning of altoist Cannonball Adderley's career. The first session is quite unusual for Adderley (who was completely unknown just a few months earlier) was given a very early opportunity to record with strings. He sounds fine on 11 standards and Terry Gibbs's "Lonely Dreams" but mostly sticks near the melody while Richard Hayman's Orchestra sounds rather anonymous. The 1958 sessions finds him performing ten songs from the early-'40s Duke Ellington show Jump for Joy (including "Just Squeeze Me," "I Got It Bad" and "Jump for Joy") while accompanied by a string quartet, a rhythm section and trumpeter Emmett Berry; Bill Russo provided the generally stimulating arrangements. The formerly rare music on this CD is enjoyable but not as essential as Adderley's slightly later Riverside albums. ---Scott Yanow, allmusic |
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