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5.025 Ft
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1. | Area Code 808
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2. | Whistle Bump
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3. | Tahiti Hut
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4. | San Juan Sunset
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5. | Love Island
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6. | Chariot of The Gods
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7. | Pina Colada
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8. | Take the A Train
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Jazz Dance-Pop Disco Fusion
Eumir Deodato - vocals, whistle, piano, keyboards, synthesizer, congas, percussion Larry Carlton - guitar, acoustic guitar George Benson , John Tropea, Al McKay - guitar Gordon Edwards, Verdine White, Pops Popwell - bass instrument Freddie White, Harvey Mason, Rick Marotta, Joe Correro - drums Bill Buffington - Horn Bob Millikan - Trumpet Brooks Tillotson - French Horn, Horn Charles Lisbove - Cello, Violin Charles McCracken - Cello, Violin Charlie Conrad - Engineer, Flute, Horn, Percussion, Strings Erica Norimar - Vocals George Parrish, Jr. - Guitar Gerry Chamberlain - Trombone Irving Spice - Cello, Violin James Buffington - French Horn Jesse Levy - Cello, Violin Jimmy Maelen - Flute, Horn, Percussion, Strings Joel Kaye - Flute John Gatchell - Trumpet Kermit Moore - Cello, Violin Larry Carlton - Guitar, Guitar (Acoustic), Guitar (Electric), Soloist Max Pollikoff - Cello, Violin Michael Comins - Cello, Violin Michael Spivakowsky - Cello, Violin Paul Winter Consort - Cello, Violin Philip Bailey - Flute, Horn, Percussion, Strings Randy Brecker - Trumpet Ray Armando - Flute, Horn, Percussion, Strings Ray Gomez - Guitar, Soloist Richard Sortomme - Cello, Violin Robert "Pops" Popewell - Bass Robert Popwell - Bass Romeo Penque - Flute, Wind Sam Burtis - Soloist, Trombone Sandra Billingslea - Cello, Violin Selwart Clarke - Cello, Violin Stanley Pollock - Cello, Violin Toni Price - Tuba Tony Posk - Cello, Violin Victor Feldman - Flute, Horn, Percussion, Strings Walter Kane - Flute Wayne Andre - Soloist, Trombone
* Deodato - Arranger, Conductor, Producer * Al Schmitt - Engineer, Mixing * Bill Imhoff - Cover Illustration * Brad Kanawyer - Design * Claude Mougin - Photography * Don Henderson - Assistant Engineer * Garth Cartwright - Liner Notes * Jeffrey Kawalek - Engineer, Mixing * Jim Bonnefond - Assistant Engineer * Joe Intile - Assistant Engineer * John Cabalka - Art Direction * Loyd Clifft - Assistant Engineer * Tommy LiPuma - Producer
1978's Love Island found Deodato in pretty much the same space he'd been for much of the decade, concocting his own ineffable brew of fusion and funky disco, with the help of friends and cover songs along the way. Love Island finds him unleashing yet another passel of songs which are all pleasant to the ear, if not completely fresh -- what makes it most interesting is that it could almost be considered a concept album, every song title apparently revolving around jungle tropics, warm winds, sandy beaches, and, more likely than not, a few beauties bearing cocktails to complete the picture. The album kicks off with "Area Code 808," which places the initial action in Hawaii, a twitchy extended fusion revolving around quite a nice funk bassline. The remainder of the set carries on from there, with the groove ebbing and flowing from the punchy "Whistle Bump" to the pleasant and decidedly mellow strains of "San Juan Hut," and on to the title track. It is unfortunate hindsight alone, and no fault whatsoever of Deodato's, that it conjures up nothing so much as scenes from The Love Boat. Damn pop culture. Also of note is "Tahiti Hut," co-written by Deodato and Earth, Wind & Fire's Maurice White, and buoyed by guest appearances by three more EW&F members: Verdine White, Freddie White, and the percussive genius of Philip Bailey. A pleasing piece of easy listening, Love Island probably won't thrill the pants off anyone but the most rabid fan. By this late in the decade, one had kind of heard it all before. But if you should need to hear it all again, Love Island sounds great when the sun is shining. ---Amy Hanson, All Music Guide |
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