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| 1. | Billie's Bounce
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| 2. | Solitude
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| 3. | Soft Winds
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| 4. | Soul Junction
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| 5. | On Green Dolphin Street
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| 6. | Our Delight
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Jazz / Hard Bop
Recording Date: Nov 15, 1957-Mar 16, 1961, Van Gelder Studio, Hackensack, New Jersey
Red Garland - piano
John Coltrane - tenor saxophone
Oliver Nelson - tenor saxophone
Donald Byrd - trumpet
Richard Williams - trumpet
Peck Morrison - bass instrument
George Joyner - bass instrument
Arthur Taylor - drums
Charli Persip - drums
Prestige Profiles are a new 10 volume series of deluxe-packaged, titles highlighting the most legendary artists in jazz who recorded for the monumental Prestige Records label. Each release features 1 CD showcasing the artists shinning moments on Prestige. Additionally, each set comes with a unique, numbered, bonus collectors CD in a pack-on jacket, shrink-wrapped to the CD. Each collectors CD contains different track listings, and will feature other artists who recorded for Prestige.
Red Garland
Active Decades: '50s, '60s, '70s and '80s
Born: May 13, 1923 in Dallas, TX
Died: Apr 23, 1984 in Dallas, TX
Genre: Jazz
Styles: Hard Bop
Red Garland mixed together the usual influences of his generation (Nat Cole, Bud Powell, and Ahmad Jamal) into his own distinctive approach; Garland's block chords themselves became influential on the players of the 1960s. He started out playing clarinet and alto, switching to piano when he was 18. During 1946-1955, he worked steadily in New York and Philadelphia, backing such major players as Charlie Parker, Coleman Hawkins, Lester Young, and Roy Eldridge, but still remaining fairly obscure. That changed when he became a member of the classic Miles Davis Quintet (1955-1958), heading a rhythm section that also included Paul Chambers and Philly Joe Jones. After leaving Miles, Garland had his own popular trio and recorded very frequently for Prestige, Jazzland, and Moodsville during 1956-1962 (the majority of which are available in the Original Jazz Classics series). The pianist eventually returned to Texas and was in semi-retirement, but came back gradually in the 1970s, recording for MPS (1971) and Galaxy (1977-1979) before retiring again.
---Scott Yanow, All Music Guide |
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