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 2 x CD |
5.169 Ft
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1. CD tartalma: |
1. | Intermission Riff
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2. | Willow Weep for Me
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3. | Last Train from Overbrook
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4. | Robbins Nest
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5. | Body and Soul
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6. | Trane Whistle
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7. | I Only Have Eyes for You
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8. | Goin' to Meetin'
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9. | The Rev
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10. | Speak Low
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11. | The Chef
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12. | In the Kitchen
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2. CD tartalma: |
1. | You Talk That Talk
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2. | Rock Candy
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3. | Please Mr. Jackson
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4. | Misty
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5. | Goodness
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6. | Kirk's Work
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7. | Soul Street
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8. | Soul Shoutin'
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Jazz / Soul-Jazz; Hard Bop
Recorded: 1958-1962
Eddie "Lockjaw" Davis - tenor saxophone Paul Weeden - guitar Jerome Richardson - reeds Oliver Nelson - reeds Clark Terry - trumpet Eric Dolphy - trumpet Jimmy Cleveland - trombone Melba Liston - trombone Horace Parlan - piano Don Patterson - organ Shirley Scott - organ George Duvivier - bass instrument Wendell Marshall - bass instrument Buddy Catlett - bass instrument Roy Haynes - drums Arthur Edgehill - drums Arthur Taylor - drums Billy James - drums Ray Barretto - congas Willie Bobo - congas Luis Perez - bongos
Prestige Profiles are a new 10 volume series of deluxe-packaged, titles highlighting the most legendary artists in jazz who recorded for the monumental Prestige Records label. Each release features 1 CD showcasing the artists shinning moments on Prestige. Additionally, each set comes with a unique, numbered, bonus collectors CD in a pack-on jacket, shrink-wrapped to the CD. Each collectors CD contains different track listings, and will feature other artists who recorded for Prestige.
Eddie "Lockjaw" Davis
Active Decades: '40s, '50s, '60s, '70s and '80s Born: Mar 02, 1922 in New York, NY Died: Nov 03, 1986 in Culver City, CA Genre: Jazz Styles: Bop, Hard Bop, Latin Jazz, Soul-Jazz, Swing
Possessor of a cutting and immediately identifiable tough tenor tone, Eddie "Lockjaw" Davis could hold his own in a saxophone battle with anyone. Early on, he picked up experience playing with the bands of Cootie Williams (1942-1944), Lucky Millinder, Andy Kirk (1945-1946), and Louis Armstrong. He began heading his own groups from 1946 and Davis' earliest recordings as a leader tended to be explosive R&B affairs with plenty of screaming from his horn; he matched wits successfully with Fats Navarro on one session. Davis was with Count Basie's Orchestra on several occasional (including 1952-1953, 1957, and 1964-1973) and teamed up with Shirley Scott's trio during 1955-1960. During 1960-1962, he collaborated in some exciting performances and recordings with Johnny Griffin, a fellow tenor who was just as combative as Davis. After temporarily retiring to become a booking agent (1963-1964), Davis rejoined Basie. In his later years, Lockjaw often recorded with Harry "Sweets" Edison and he remained a busy soloist up until his death. Through the decades, he recorded as a leader for many labels, including Savoy, Apollo, Roost, King, Roulette, Prestige/Jazzland/Moodsville, RCA, Storyville, MPS, Black & Blue, Spotlite, SteepleChase, Pablo, Muse, and Enja. ---Scott Yanow, All Music Guide |
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