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Animal Chin
Jaga Jazzist
amerikai
első megjelenés éve: 2002
43 perc
(2006)

CD
3.960 Ft 

 

IMPORT!
Kosaramba teszem
1.  Animal Chin
2.  Real Racecars Have Doors
3.  Low Battery
4.  Toxic Dart
5.  Tristar
6.  Lithuania
Martin Horntveth remix
7.  Going Down
Kim Horthoy Spillejobb remix
Jazz / Electronica; IDM; Electro-Jazz

Extended Play; EP

Jaga Jazzist
Lars Horntveth - acoustic & electric guitars, tenor & baritone saxophones, bass clarinet, flute, keyboards
Harald Froland - guitar, synthesizer, effects
Jorgen Munkeby - harmonica, flute, alto flute, clarinet, bass clarinet, keyboards, glockenspiel
Mathias Eick - trumpet, keyboards, acoustic bass
Lars Wabo - trombone
Line Horntveth - tuba, melodica
Morten Ovenild - piano, synthesizer
Andreas Mjos - keyboards, omichord, vibraphone
Martin Horntveth - keyboards, drums, drum machine, synth drums

Gold Standard Laboratories is extremely proud to present the debut U.S. release from Oslo, Norway's critically acclaimed 10-piece group Jaga Jazzist. The Band's sound is a minefield of contrasting textures and styles. The comparisons that come up often include Miles Davis, Squarepusher, Tortoise, Talk Talk and Kid 606. The CD is a 30-minute seven-track collection gathered from EPs plus a couple of unreleased remixes. 2003.


On this absolutely intoxicating album, Animal Chin, Norway's Jaga Jazzist brilliantly combine everything from Stereolab to Mego recording artists like Fennesz to Autechre and Aphex Twin. The title track brilliantly alternates between laid-back jazz and tweaked Squarepusher drum'n'bass -- that is, until it spirals into a retro chic, vibes-and-synthesizer, bachelor-pad groove. "Low Battery" has an eerie slow-motion shimmer that's complimented by up-front beats and a film noir moodiness, but it's immediately followed by "Toxic Dart," a buzzing, simmering, out-of-control laptop jam that's crisp, clean, and utopian. Herein lies Jaga Jazzist's greatest strength -- the ability to hopscotch between startlingly hip and experimental genres while making it all sound so perfectly coherent and resonant.
---Charles Spano, allmusic

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