  |
|
|
 |
| Trio 2000 + One |
| Paul Motian |
első megjelenés éve: 1997
42 perc |
|
| (2006)
[ DIGIPACK ]
|
|
CD |
| 4.840 Ft
|
|
| 1. | From Time to Time
|
| 2. | Dance
|
| 3. | One in Three
|
| 4. | Pas de Deux
|
| 5. | The Sunflower
|
| 6. | Bend over Backwards
|
| 7. | Last Call
|
| 8. | Protoplasm
|
Jazz / Avant-Garde; Post-Bop
Recorded: Aug 12, 1997
The drummer Paul Motian, meanwhile over 70 years of age, is continuously coming up with surprises. Last year he released three completely different recordings on the young label Winter & Winter: the CD Live At The Village Vanguard: Sound Of Love [Winter & Winter 910 008-2] presenting his trio with Bill Frisell and Joe Lovano, which is existing for more than 16 (!) years now, the album Flight Of The Blue Jay [Winter & Winter 910 009-2] with the Electric Bebop Band and finally the smooth and impressive First Meeting [Winter & Winter 910 016-2] with the trio Tethered Moon.
Paul Motian, who has been an active musician for more than 50 years, now presents his new project on the upcoming release: A trio with youngster Chris Potter on saxophone and long-time companion Steve Swallow on bass. As both of them are already playing in Motians Electric Bebop Band one could think that Trio 2000 is a reduced version of his quintet - far from it! The Trio 2000 is deliberatly avoiding the interpretation of the so-called standards and is focussing completely on originals, which are all written by the bandleader Paul Motian except for Pas de Deux and Protoplasm by Chris Potter and the tune Bend Over Backwards by Steve Swallow.
The trio's sound is expanding through the performance of guest musicians Masabumi Kikuchi on piano and Larry Grenadier on double bass. The play with the acoustic instrument (arco or pizzicato) of the latter enriches the sub-frequential improvisations in the interplay with the electric bass of Steve Swallow. Anyway, the recording's main emphasis is based on the harmonic and tonal cause of exuberance of swing. Children's songs coexist next to free improvisation, shreds of Bebop next to solistic excursions loosend from their modus. The connection is made by the complex converting of the original works into modern interpretation - recordings with a hypnotic intensity that is both melodic and raw, relaxed and exciting and which takes the listener to a journey through the different styles of jazz.
PAUL MOTIAN
His breakthrough as a drummer in the beginning of the sixties fell into a time that already wanted to get rid of any Bebop-Idioms. Playing in the legendary Bill Evans Trio with Scott LaFaro [1959-64] Motian emancipated the drummer from the role of a mere timekeeper. In the quartett with Keith Jarrett, Charlie Haden and Dewey Redman new ways of group-playing were tested, which are still relevant today.
Paul Motian - drums
Chris Potter - tenor sax
Steve Swallow - electric bass
Special Guests:
Larry Grenadier - acoustic bass
Masabumi Kikuchi - piano |
|
CD bolt, zenei DVD, SACD, BLU-RAY lemez vásárlás és rendelés - Klasszikus zenei CD-k és DVD-különlegességek |  | | Webdesign - Forfour Design |
|
|
