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Boston Blow-Up!
The Serge Chaloff Sextet, Serge Chaloff
első megjelenés éve: 1955
49 perc
(2006)

CD
2.823 Ft 

 

IMPORT!
Kosaramba teszem
1.  Bob the Robin
2.  Yesterday's Gardenias
3.  Sergical
4.  What's New?
5.  Mar-Dros
6.  Jr.
7.  Body and Soul
8.  Kip
9.  Diane's Melody
10.  Unison
11.  Boomareemaroja
Bonus
12.  Herbs
Bonus - Long take
13.  Herbs
Bonus - Short take
Jazz / Bop; Hard Bop

Recorded: Apr 4-5, 1955

Serge Chaloff - Sax (Baritone)
Ray Santisi - Piano
Jimmy Zitano - Drums
Everett Evans - Bass
Boots Mussulli - Sax (Alto)
Herb Pomeroy - Trumpet

Stan Kenton produced the first Capitol album by this legendary baritone saxophonist in New York in April 1955, but the cast is strictly Boston-based with alto saxophonist Boots Musulli, who contributed most of the originals, trumpeter Herb Pomeroy, pianist Ray Santisi, bassist Everett Evans, and drummer Jimmy Zitano. Most of the date is stinging hard bop, but Chaloff's version of "Body and Soul" is the highlight of his career.


Baritonist Serge Chaloff, best known as a member of Woody Herman's Second Herd, made a comeback in the mid-'50s after years of drug abuse. Having kicked the habit in his native Boston, he recorded The Fable of Mable in 1954 and this excellent session the following year. Chaloff is heard on a variety of obscure originals plus a couple of standards (including a near-classic "Body and Soul") in a sextet with trumpeter Herb Pomeroy and altoist Boots Mussulli. The ironic part is that, once Chaloff cleaned up his act, he contracted spinal paralysis and died in 1957. However, the baritonist is very much in prime form on this set, which was once only available on CD as part of Mosaic's Serge Chaloff limited-edition box but was reissued by Capitol Jazz in 2006 with three extra tracks.
---Scott Yanow, AMG



Serge Chaloff

Active Decades: '30s, '40s and '50s
Born: Nov 24, 1923 in Boston, MA
Died: Jul 16, 1957 in Boston, MA
Genre: Jazz
Styles: Bop

Serge Chaloff was the premier baritone saxophonist of the bop era, his fiery, dynamic improvisations restoring the instrument to prominence some months prior to the arrival of Gerry Mulligan. Chaloff was born in Boston on November 24, 1923. His father was a pianist with the Boston Symphony Orchestra while his mother, Margaret, taught music at the Boston Conservatory of Music, over time educating an illustrious series of pianists including Keith Jarrett, Herbie Hancock, and Richard Twardzik. Chaloff himself studied piano and clarinet before teaching himself the baritone sax in emulation of Jack Washington and Harry Carney. Charlie Parker was also a monumental influence. Chaloff made his professional debut in support of Boyd Raeburn, followed by a stint behind Georgie Ault. He first earned widespread renown after joining Jimmy Dorsey in 1945, earning the distinction of bebop's first baritone soloist. Chaloff nevertheless remains best known for his stint with Woody Herman's Second Herd, which he joined in late 1946. Alongside tenors Stan Getz, Zoot Sims, and Herbie Stewart he vaulted to jazz immortality the following year via the Jimmy Giuffre composition "Four Brothers," a landmark recording extending each of the saxophonists a solo turn. In mid-1947 Chaloff also led his first recording session, leading trombonist Red Rodney, tenor saxophonist Earl Swope, pianist George Wallington, bassist Curley Russell, and drummer Tiny Kahn on several sides cut for the Savoy label.
However, by this time Chaloff was deep in the throes of heroin addiction, and for years after leaving the Herman band in 1949 he was considered persona non grata throughout much of the jazz community, earning an abysmal reputation for missed gigs and erratic performances. Chaloff settled in New York City, assembling a group featuring the visionary pianist Bud Powell and trombonist Earl Swope that, sadly, never recorded. By early 1952 he returned to Boston, and that spring cut an unissued session with pianist Twardzik, trombonist Sonny Truitt, bassist Jack Lawlor, and drummer Jimmy Weiner. Championed by local disc jockey Bob Martin, Chaloff gradually eased back into the larger consciousness, appearing on television's The Steve Allen Show and leading the house band at the Beantown club Jazzorama. In 1954, he signed to George Wein's Boston-based Storyville to cut The Fable of Mabel, recorded with local luminaries including alto saxophonist Charlie Mariano and trumpeter Herb Pomeroy, and a year later the label also issued his collaboration with altoist Boots Mussulli. After completing work on Boston Blow-Up!, a loose but impassioned Stan Kenton-produced date for Capitol, Chaloff relocated to Los Angeles, where in 1956 he assembled pianist Sonny Clark, bassist Leroy Vinnegar, and drummer Philly Joe Jones to record his masterpiece Blue Serge, a gripping, evocative set that ranks among the finest jazz recordings of its era. But by the time of its release Chaloff was confined to a wheelchair, partially paralyzed as the result of a spinal tumor. The cancer spread, and he died July 16, 1957, at the age of just 33.
---Jason Ankeny, All Music Guide
Weboldal:Blue Note Records

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