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| Eldar |
| Eldar |
első megjelenés éve: 2004
58 perc |
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| (2005)
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CD |
| 3.324 Ft
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| 1. | Sweet Georgia Brown
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| 2. | Nature Boy
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| 3. | Moanin'
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| 4. | Point of View
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| 5. | Raindrops
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| 6. | Lady Wicks
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| 7. | Maiden Voyage
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| 8. | 'Round Midnight
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| 9. | Ask Me Now
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| 10. | Watermelon Island
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| 11. | Fly Me to the Moon
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Jazz / Post-Bop
Recorded: 2004, Capitol Studio, Los Angeles, California
Eldar Djangirov - piano, synthesizer
John Patitucci - bass instrument
Todd Strait - drums
Additional personnel:
Michael Brecker - tenor saxophone
Eldar Djangirov, who was already a promising pianist at a very tender age, was able to immigrate along with his parents to the United States in order to better develop his amazing talent. After he appeared on the nationally syndicated radio program Marian McPartland's Piano Jazz at the age of 12, he was already displaying formidable chops for one so young. After two earlier releases for the small D&D label, he recorded his major label debut in early 2004 for Sony Classical. Already able to play at furious tempos normally associated with greats like Oscar Peterson and the late Art Tatum, especially in the stunning opening rendition of "Sweet Georgia Brown," he sometimes has trouble restraining his ability to show off his technique, nearly overwhelming Bobby Timmons' soulful "Moanin'" at times. Better are his reserved but refreshing approach to "Nature Boy" and the superb original ballad, "Lady Wicks." Bassist John Patitucci and drummer Todd Strait provide excellent support for the young man on the trio tracks (especially in the introspective take of "'Round Midnight"). Tenor saxophonist Michael Brecker is added on the Latin-tinged original "Point of View." Like all players who demonstrate tremendous technique at a young age, critics will be watching Eldar Djangirov with great interest to see if he successfully builds upon his amazing gifts.
---Ken Dryden, AMG
Eldar
Active Decade: '00s
Born: Jan 28, 1987 in Kyrgyzstan
Genre: Jazz
Hard boppost-bop pianist Eldar Djangirov has accomplished something that the vast majority of jazz artists -- pianists or otherwise -- will never accomplish: he landed a contract with a major label (Sony Classical) when he still wasn't old enough to vote. It is not uncommon for people to learn to play jazz during their adolescent years (especially in Western Europe), but most of them won't record an album as a leader until they are in their twenties; many won't even be recorded as sidemen until after they reach their twenties. Djangirov, however, started recording as a leader when he was in his mid-teens, and had recorded three albums before his 18th birthday. Djangirov, an immigrant from what used to be the Soviet Union, brings an intriguing variety of bebop, hard bop, post-bop and swing influences to his work. The acoustic pianist (who also plays electric keyboards but is essentially straight-ahead in his approach) has been greatly affected by the clear, crystalline playing of Bill Evans, Dave Brubeck, Keith Jarrett, and Ahmad Jamal; like those musicians, he can be quite lyrical (sometimes in an impressionistic way). But he has also shown his appreciation of Oscar Peterson and Red Garland's funkiness at times, and his other influences range from McCoy Tyner to Bud Powell to pre-bop master Art Tatum. A Djangirov solo might acknowledge anything from Thelonious Monk's angularity to Garland's use of what musicians refer to as "block chords" (a technique that is easy for jazz listeners to recognize even if they don't understand the exact technical meaning of the term). Despite having recorded for Sony Classical, Djangirov is not a classical-oriented musician -- straight-ahead jazz is definitely his main focus. But like many jazz musicians, he has been influenced by the European classical tradition and can bring some of the Euro-classical vocabulary to his improvisations.
Djangirov was born on January 28, 1987 in Kyrgyzstan in the former Soviet Union, which did away with communism when he was only a child. At the age of five, he began studying the piano with his mother Tatiana Djangirov (who was a music teacher in Bishkek, Kyrgyzstan). In 1996, a nine-year-old Eldar Djangirov performed at a jazz festival in Novosibirsk, Russia, where a visiting American jazz supporter named Charles McWhorter heard him for the first time. Feeling that the young pianist had a great deal of potential, McWhorter arranged for him to attend a summer camp at the Interlochen Center for the Arts in Michigan. Djangirov ended up staying in the United States; after leaving Michigan, he lived in Kansas City before making San Diego, CA his home. The improviser's first album, Eldar [D&D], was released in 2001, when he was 14; that disc was followed by the release of his sophomore disc, Handprints, in 2003. In 2004, Djangirov signed with Sony Classical and recorded his third album, which is also titled Eldar [Sony]; the album boasts John Patitucci on bass and Michael Brecker on tenor sax and was given a March 2005 release date. Two years later Eldar released Re-Imagination, which saw the pianist stretching out into solo acoustic piano and even electronica territory. Virtue appeared in 2009.
--- Alex Henderson, All Music Guide |
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