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| Mosaic Select 16 - Andrew Hill (3CD) |
| Andrew Hill |
első megjelenés éve: 1970
211 perc |
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| (2007)
[ LIMITED ]
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3 x CD |
Kérjen
árajánlatot! |
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| 1. CD tartalma: |
| 1. | Without Malice (A2)
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| 2. | Ocho Rios (A1)
first version
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| 3. | Diddy Wah (A1)
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| 4. | Ode To Infinity (A2)
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| 5. | The Dance (A1)
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| 6. | Satin Lady (A2)
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| 7. | Ocho Rios (A2)
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| 8. | Monkash (B1)
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| 9. | Mahogany (B1)
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| 2. CD tartalma: |
| 1. | Illusion (B2)
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| 2. | Poinsettia (B2)
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| 3. | Fragments (B2)
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| 4. | Soul Mate (B2)
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| 5. | Illusion (B2)
alternate take
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| 6. | Interfusion (C)
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| 7. | Resolution (C)
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| 8. | Chained (C)
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| 9. | MOMA (C)
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| 10. | Nine At The Bottom (C)
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| 11. | Six At The Top (C)
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| 12. | Nine At The Bottom (C)
alternate take
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| 3. CD tartalma: |
| 1. | For Blue People Only (D)
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| 2. | Enamorado (D)
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| 3. | Mother's Tale (D)
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| 4. | Oriba (D)
first version
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| 5. | Oriba (D)
second version
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| 6. | Awake (E)
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| 7. | Now (E)
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| 8. | I (E)
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| 9. | Yomo (E)
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| 10. | Prevue (E)
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Jazz / Avant-Garde; Post-Bop; Modal Music; Avant-Garde Jazz ;Modern Creative
(A1) Charles Tolliver, trumpet; Pat Patrick, flute, alto clarinet, alto sax, baritone sax; Bennie Maupin, flute, tenor sax; Andrew Hill, piano; Ron Carter, bass; Paul Motian, drums.
Recorded on January 16, 1970.
(A2) Charles Tolliver, trumpet, flugelhorn; Pat Patrick, flute, alto clarinet, alto sax; Bennie Maupin, flute, bass clarinet, tenor sax; Andrew Hill, piano; Ron Carter, bass; Ben Riley, drums.
Recorded on January 23, 1970.
(B1) Carlos Garnett, tenor sax; Andrew Hill, piano; Richard Davis, bass; Freddie Waits, drums; Sanford Allen, violin; Selwart Clarke, Booker Rowe, viola; Kermit Moore, cello.
Recorded on June 13,1969.
(B2) Bennie Maupin, flute, tenor sax; Andrew Hill, piano; Ron Carter, bass; Mickey Roker, drums; Sanford Allen, violin; Selwart Clarke, Al Brown, viola; Kermit Moore, cello.
Recorded on August 1,1969.
(C) Andrew Hill, piano; Ron Carter, bass, Teddy Robinson, drums.
Hill plays soprano sax on a section of "Six At The Top" and organ on sections of "Resolution" and "Nine At The Bottom".
Recorded on May 17,1967.
(D) Woody Shaw, trumpet; Robin Kenyatta, alto sax; Sam Rivers, soprano sax, tenor sax; Howard Johnson, baritone sax, tuba; Andrew Hill, piano; Herbie Lewis, bass; Teddy Robinson, drums.
Recorded on October 31,1967
(E) Robin Kenyatta, alto sax; Sam Rivers, flute, soprano sax, tenor sax; Andrew Hill, piano, organ; Cecil McBee, bass; Teddy Robinson, drums; Nadi Qamar (Spaulding Givens), thumb piano, African drum, bells.
Recorded on February 10,1967
Original sessions produced by Francis Wolff (A,B,D) and Alfred Lion (C,E)
Recording engineer: Rudy Van Gelder
All sessions recorded at the Van Gelder Studio, Englewood Cliffs, NJ
"Ocho Rios (first version)" (listed as "One For One") (A1), "Diddy Wah" (A1), "Without Malice" (A2), "Illusion" (B2), "Poinsettia" (B2) and "Fragments" (B2) were previously issued on ONE FOR ONE (Blue Note BNLA459-2). All other selections are previously unissued.
Liner Notes: Michael Cuscuna
Disc 1: 61:34 min.
Disc 2: 76:38 min.
Disc 3: 72:48 min.
"The music is mellower and warmer than most of Andrew’s prior recorded work, even his previous solo albums. It reflects his state of mind, his environment and his life at that particular point in time." - Michael Cuscuna, liner notes
Limited Edition: 5000 copies
From California With Love
When Blue Note released Andrew Hill's label debut Black Fire in March 1964, the jazz community immediately recognized a fresh new voice as bold and distinctive as Thelonious Monk or Herbie Nichols. For the next six years, Hill applied his singular compositional skills to a variety of settings from trio to nonet, even incorporating quartets with string quartets and quintets with six-voice choirs.
So much of Andrew's prime Blue Note recordings had depended on and been written for the interaction of empathetic improvisers, that his first solo recordings Hommage and Live At Montreux, both from 1975, came as a surprise to even his most die-hard fans. Those experiences whetted his appetite for more.
Living in a small Bay Area bedroom community, he began playing a lot of solo concerts at Arts Centers up and down the West Coast. In August and October 1978, he made three trips to the Fantasy Recording Studio in Berkeley for lengthy solo piano sessions. Two extended pieces were issued on the Artists House LP From California With Love. That album quickly became a collector's item when the label folded. Meanwhile over two hours of solo piano music by Andrew remained in the can until Mosaic discovered the session tapes in Hawaii. Now the complete sessions are gathered in this Select.
Hearing a great pianist/composer in solo setting is like eavesdropping on the thought processes of a restless, creative mind. Unfettered by other instruments and input, the artist is free to go wherever his inner logic and imagination take him. Like Thelonious Monk and Randy Weston among others, Andrew Hill's most revealing and fascinating creations are often those made alone at a piano. |
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