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| 4.701 Ft
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| 1. | Within The Rocks
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| 2. | Anasazi Journeys
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| 3. | Fortress Rock
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| 4. | Raven Redezvous
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| 5. | Pennyroyal Canyon
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| 6. | Medicine Keeper
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| 7. | Tunnel Canyon
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| 8. | Spider Woman's Home
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| 9. | Bad Trail
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| 10. | Canyon Breeze
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| 11. | Tsegi
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| 12. | Shaman Winds 1
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| 13. | Shaman Winds 2
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| 14. | Wild Cherry Canyon
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| 15. | Beehive
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| 16. | Pot-Shards & Pictographs
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| 17. | Life Surrounds Me
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| 18. | Pele's Thunderbird
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New Age / Jazz, Hard Bop
Recorded: Canyon de Chelly, Taos, New Mexico
Paul Horn - C flute, alto flute, Native American cedar flute, ti-tze, soprano
saxophone;
R. Carlos Nakai - Native American cedar flute, nose flute
Paul Horn, one of the leading proponents of solo improvisational flute, collaborates here with Native American flute player R. Carlos Nakai in a genuinely equal pairing. As with some of Paul Horn's earlier Inside albums, this is a field recording, done in two weeks inside of Canyon De Chelly and capitalizing on its natural acoustics. Listen to "Raven Rendezvous," where Horn uses his soprano saxophone to "speak" to a raven that happened into the area. The sound of Nakai's Native American flute, echoing the natural sounds of the canyon and its water, is breathtaking on "Within the Rocks." The two of them toss ideas back and forth at times, trying out different tonalities or embellishing what the other has put forth. ~ Bob Gottlieb, All Music Guide
Paul Horn
Active Decades: '60s, '70s, '80s and '90s
Born: Mar 17, 1930 in NY
Genre: Nuage
Styles: World Fusion, Hard Bop, Folk Jazz
When one evaluates Paul Horn's career, it is as if he were two people, pre- and post-1967. In his early days, Horn was an excellent cool-toned altoist and flutist, while later he became a new age flutist whose mood music is often best used as background music for meditation. Horn started on piano when he was four and switched to alto at the age of 12. After a stint with the Sauter-Finegan Orchestra on tenor, Horn was Buddy Collette's replacement with the popular Chico Hamilton Quintet (1956-1958), playing alto, flute, and clarinet. He became a studio musician in Los Angeles, but also found time during 1957-1966 to record cool jazz albums for Dot (later reissued on Impulse), World Pacific, Hi Fi Jazz, Columbia, and RCA, and he participated in a memorable live session with Cal Tjader in 1959. In addition, in 1964, Horn recorded one of the first Jazz Masses, utilizing an orchestra arranged by Lalo Schifrin. In 1967, Paul Horn studied transcendental meditation in India and became a teacher. The following year, he recorded unaccompanied flute solos at the Taj Mahal (where he enjoyed interacting with the echoes), and would go on to record in the Great Pyramid, tour China (1979) and the Soviet Union, record using the sounds of killer whales as "accompaniment," and found his own label Golden Flute. Most of Paul Horn's work since the mid-'70s is focused on new age rather than jazz.
---Scott Yanow, Rovi |
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