| Jazz / Vocal, Standards, Traditional Pop, Vocal Jazz 
 Bob Kindred	Sax (Tenor)
 Chip Stern	Liner Notes
 Clarence Penn	Drums
 Cyrus Chestnut	Piano
 David "Fathead" Newman	Sax (Tenor)
 David Luke	Mixing
 Derek Kwan	Associate Producer
 Eric Alexander	Sax (Tenor)
 George Horn	Mastering
 George Mraz	Bass
 Gilles Margerin	Design
 Grady Tate	Drums
 Gregoire Maret	Harmonica
 Hank Crawford	Sax (Alto)
 Jamie Putnam	Art Direction
 Joe Beck	Guitar
 John Abbott	Photography
 Karen Tweedy Holmes	Cover Photo
 Katherine Miller	Engineer
 Larry Willis	Piano
 Lew Soloff	Trumpet
 Lewis Nash	Drums
 Little Jimmy Scott	Vocals
 Michael Kanan	Piano
 Renee Rosnes	Piano
 Todd Barkan	Producer
 
 Afflicted as a child with Kallman's syndrome, a rare hormonal deficiency that stunted his growth and left him with a high-pitched and eerily androgynous voice, Jimmy Scott had a successful career as a jazz singer in the 1940s and 1950s, but then dropped from view until his rediscovery in the 1990s. At age 78, his voice can no longer be reasonably described as "pretty," but he is generally hailed as a song interpreter in a style somewhat similar to that of Billie Holiday or Mabel Mercer -- someone whose interpretive flair and deeply personal delivery transform the familiar songs that are his bread and butter. On Moon Glow, he picks up where he left off with "But Beautiful," accompanied by a crack group of A-list session men (including Eric Alexander, Hank Crawford, David "Fathead" Newman, and George Mraz) on a program of pop and jazz standards. The album is a mixed success, however. His exquisitely heartfelt take on "How Long Has This Been Going On" is revelatory, and he brings a bittersweet loveliness to the Robin/Rainger composition "If I Should Lose You." His take on "Those Who Were," on which he is accompanied only by Larry Willis' piano, is effective but a bit too long and, in places, somewhat overwrought. Even more questionable is Scott's highly personal rendition of the Lennon/McCartney classic "Yesterday," and he ruins the delicate Duke Ellington song "Solitude" by oversinging. His new cadre of fans will likely see these as lovable idiosyncrasies rather than flaws, though. Recommended with reservations. ~ Rick Anderson, All Music Guide
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