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All the Things That You Are |
Don Byas |
első megjelenés éve: 1996 |
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(1996)
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CD |
4.161 Ft
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1. | Walkin'
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2. | Don't Blame Me
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3. | Lady Bird
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4. | All the Things You Are
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5. | There'll Never Be Another You
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6. | Billie's Bounce
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7. | Moonlight in Vermont
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8. | A Night in Tunisia
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Jazz
Don Byas - Sax (Tenor) Bent Axen - Piano William Schiopffe - Drums
David Redfern - Photography
Don Byas
Active Decades: '30s, '40s, '50s, '60s and '70s Born: Oct 21, 1912 in Muskogee, OK Died: Aug 24, 1972 in Amsterdam, The Netherlands Genre: Jazz Styles: Bop, Swing
One of the greatest of all tenor players, Don Byas' decision to move permanently to Europe in 1946 resulted in him being vastly underrated in jazz history books. His knowledge of chords rivalled Coleman Hawkins, and, due to their similarity in tones, Byas can be considered an extension of the elder tenor. He played with many top swing bands, including those of Lionel Hampton (1935), Buck Clayton (1936), Don Redman, Lucky Millinder, Andy Kirk (1939-1940), and most importantly Count Basie (1941-1943). An advanced swing stylist, Byas' playing looked toward bop. He jammed at Minton's Playhouse in the early '40s, appeared on 52nd Street with Dizzy Gillespie, and performed a pair of stunning duets with bassist Slam Stewart at a 1944 Town Hall concert. After recording extensively during 1945-1946 (often as a leader), Byas went to Europe with Don Redman's band, and (with the exception of a 1970 appearance at the Newport Jazz Festival) never came back to the U.S. He lived in France, the Netherlands, and Denmark; often appeared at festivals; and worked steadily. Whenever American players were touring, they would ask for Byas, who had opportunities to perform with Duke Ellington, Bud Powell, Kenny Clarke, Dizzy Gillespie, Jazz at the Philharmonic (including a recorded tenor battle with Hawkins and Stan Getz), Art Blakey, and (on a 1968 recording) Ben Webster. Byas also recorded often in the 1950s, but was largely forgotten in the U.S. by the time of his death. ---Scott Yanow, All Music Guide |
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