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Kérjen
árajánlatot! |
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| 1. | Everybody Come on Out
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| 2. | Stairway to Heaven
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| 3. | There Is a Place (Rita's Theme)
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| 4. | Many Rivers to Cross
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| 5. | Hope That We Can Be Together Soon
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| 6. | All by Myself
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| 7. | Airport Love Theme
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| 8. | I'm Not in Love
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Jazz
Stanley Turrentine - Producer, Sax (Tenor)
Arthur Royval - Viola
Bill Green - Flute, Horn (English), Sax (Baritone)
Bill Summers - Bongos, Conga, Percussion
Bob Findley - Flugelhorn, Trumpet
Buddy Collette - Flute, Sax (Tenor)
Carl LaMagna - Violin
Charles Loper - Trombone
Charles Veal - Concert Master, Violin
Chuck Findley - Flugelhorn, Slide Trumpet, Trumpet
Craig McMullen - Guitar
David Campbell - Viola
David Speltz - Cello
Dawilli Gonga - Horn, Strings, Synthesizer
Dennis Karmazyn - Cello
Denyse Buffum - Viola
Dorothy Ashby - Harp
George Bohannon - Trombone
Glen Dicterow - Violin
Harvey Mason, Sr. - Drums
Janice Gower - Violin
Joe Sample - Piano, Piano (Electric)
Ken Yerke - Violin
Lee Ritenour - Guitar
Lew McCreary - Trombone (Bass)
Michelle Grab - Violin
Mitchell Markowitz - Violin
Oscar Brashear - Flugelhorn, Trumpet
Pamela Goldsmith - Viola
Paul Hubinon - Flugelhorn, Trumpet
Paul Jackson - Bass (Electric)
Paul Jackson, Jr. - Bass (Electric)
Richard Feves - Bass, Bass (Acoustic)
Robert Dubow - Violin
Robert Lipsett - Violin
Ronald Cooper - Cello
Winterton Garvey - Violin
* Eddie Bill Harris - Engineer
* Greg Venable - Engineer
* Jackson Schwartz - Assistant Engineer, Engineer
* Joe Tarantino - Remastering
* Orrin Keepnews - Producer
* Phil Bray - Photography
* Ron Granger - Executive Producer
* Wade Marcus - Arranger, Conductor
From the cover photo, it appears to be a beautiful day in Mr. Turrentine's neighborhood, which on this 1976 session with horns and strings takes in a vast territory. A key to the tenor giant's success as a crossover artist is illustrated clearly here--Turrentine applies a passionate commitment to everything he plays that make musician and material sound of a piece. Philly soul, Jamaican reggae, British pop, and Hollywood soundtracks are among the styles that sound second-nature to the Pittsburgh native, as Turrentine and a first-call rhythm section (including Joe Sample, Lee Ritenour, Headhunters Paul Jackson and Harvey Mason, and George Duke under his nom de disque Dawilli Gonga) dig deeply into Wade Marcus's arrangements and make the large ensembles soar.
Stanley Turrentine
Active Decades: '60s, '70s, '80s and '90s
Born: Apr 05, 1934 in Pittsburgh, PA
Died: Sep 12, 2000 in New York, NY
Genre: Jazz
Styles: Fusion, Hard Bop, Soul-Jazz
A legend of the tenor saxophone, Stanley Turrentine was renowned for his distinctively thick, rippling tone, an earthy grounding in the blues, and his ability to work a groove with soul and imagination. Turrentine recorded in a wide variety of settings, but was best-known for his Blue Note soul-jazz jams of the '60s, and also underwent a popular fusion makeover in the early '70s. Born in Pittsburgh on April 5, 1934, Turrentine began his career playing with various blues and R&B bands, with a strong influence from Illinois Jacquet. He played in Lowell Fulson's band with Ray Charles from 1950-1951, and in 1953, he replaced John Coltrane in Earl Bostic's early R&Bjazz band. After a mid-'50s stint in the military, Turrentine joined Max Roach's band and subsequently met organist Shirley Scott, whom he married in 1960 and would record with frequently.
Upon moving to Philadelphia, Turrentine struck up a chemistry with another organist, Jimmy Smith, appearing on Smith's 1960 classics Back at the Chicken Shack and Midnight Special, among others. Also in 1960, Turrentine began recording as a leader for Blue Note, concentrating chiefly on small-group soul-jazz on classics like That's Where It's At, but also working with the Three Sounds (on 1961's Blue Hour) and experimenting with larger ensemble settings in the mid-'60s. As the '70s dawned, Turrentine and Scott divorced and Turrentine became a popular linchpin of Creed Taylor's new, fusion-oriented CTI label; he recorded five albums, highlighted by Sugar, Salt Song, and Don't Mess With Mister T. While those commercially accessible efforts were artistically rewarding as well, critical opinion wasn't as kind to his late-'70s work for Fantasy; still, Turrentine continued to record prolifically, and returned to his trademark soul-jazz in the '80s and '90s. Turrentine passed away on September 12, 2000, following a massive stroke.
---Steve Huey, All Music Guide |
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