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Kérjen
árajánlatot! |
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| 1. | Inflation
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| 2. | Theme from Shaft
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| 3. | Song for Donny
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| 4. | Closer
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| 5. | Is It You
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| 6. | Deja Vu
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| 7. | Don't Misunderstand
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| 8. | Ghana
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Jazz
Recorded: 02/1980 - 03/1980, Aura Recording Studio, New York, New York
Stanley Turrentine (tenor saxophone)
Jay Berliner, Joe Beck (guitar); Cedar Walton (piano); Derek Smith (Fender Rhodes piano); George Duvivier (upright bass); Marcus Miller (bass guitar); Buddy Williams (drums); Marrio Nichols (congas); Reubens Bassini (percussion)
A later success for the legendary tenor sax player, Stanley Turrentine's Inflation was originally released by Elektra in 1980. The album charted on both the Billboard Black Albums and Jazz Albums chart, breaking the Top 75 on the former and reaching #17 on the latter.
This early 1980s set of funk-tinged instrumentals features Stanley Turrentine performing a set of easy-listening jazz with orchestral accompaniment. Though perhaps not the best example of the saxophonist's work, it does contain several nice set pieces, notably the big band arrangement of "Ghana," and the atmospheric after-hours ballad "Don't Misunderstand."
Stanley Turrentine
Active Decades: '60s, '70s, '80s and '90s
Born: Apr 05, 1934 in Pittsburgh, PA
Died: Sep 12, 2000 in New York, NY
Genre: Jazz
Styles: Fusion, Hard Bop, Soul-Jazz
A legend of the tenor saxophone, Stanley Turrentine was renowned for his distinctively thick, rippling tone, an earthy grounding in the blues, and his ability to work a groove with soul and imagination. Turrentine recorded in a wide variety of settings, but was best-known for his Blue Note soul-jazz jams of the '60s, and also underwent a popular fusion makeover in the early '70s. Born in Pittsburgh on April 5, 1934, Turrentine began his career playing with various blues and R&B bands, with a strong influence from Illinois Jacquet. He played in Lowell Fulson's band with Ray Charles from 1950-1951, and in 1953, he replaced John Coltrane in Earl Bostic's early R&Bjazz band. After a mid-'50s stint in the military, Turrentine joined Max Roach's band and subsequently met organist Shirley Scott, whom he married in 1960 and would record with frequently.
Upon moving to Philadelphia, Turrentine struck up a chemistry with another organist, Jimmy Smith, appearing on Smith's 1960 classics Back at the Chicken Shack and Midnight Special, among others. Also in 1960, Turrentine began recording as a leader for Blue Note, concentrating chiefly on small-group soul-jazz on classics like That's Where It's At, but also working with the Three Sounds (on 1961's Blue Hour) and experimenting with larger ensemble settings in the mid-'60s. As the '70s dawned, Turrentine and Scott divorced and Turrentine became a popular linchpin of Creed Taylor's new, fusion-oriented CTI label; he recorded five albums, highlighted by Sugar, Salt Song, and Don't Mess With Mister T. While those commercially accessible efforts were artistically rewarding as well, critical opinion wasn't as kind to his late-'70s work for Fantasy; still, Turrentine continued to record prolifically, and returned to his trademark soul-jazz in the '80s and '90s. Turrentine passed away on September 12, 2000, following a massive stroke.
---Steve Huey, All Music Guide |
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