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| 4.270 Ft
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| 1. | Aguas De Marco (Waters Of March)
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| 2. | Poise E (So It Is)
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| 3. | So Tinha De Ser Com Voce (It Had To Be With You)
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| 4. | Modinha
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| 5. | Triste (Sad)
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| 6. | Corcovado
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| 7. | O Que Tinha De Ser (What Had To Be)
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| 8. | Retrato Em Branco E Preto (Picture In Black And White AKA Zingaro)
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| 9. | Brigas, Nuncas Mais (Fights Never More)
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| 10. | Por Toda Minha Vida (For All My Life)
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| 11. | Fotografia (Photograph)
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| 12. | Soneto De Separacao (Song Of Separation)
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| 13. | Chovendo Na Roseira (Raining On The Rosebush AKA Double Rainbow)
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| 14. | Inutil Paisagem (Useless Landscape)
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Latin / Jazz; Bossa Nova; Brazilian Jazz; MPB
Recorded at MGM Studios, Los Angeles, California between February 22 and March 9, 1974.
Antonio Carlos Jobim (vocals, piano, acoustic guitar); Elis Regina (vocals); Cesar Camargo Mariano (piano, electric piano); Helio Delmiro (acoustic & electric guitars); Oscar Castro Nieves (acoustic guitar); Luizao Maia (bass); Paulo Braga (drums)
A classic 1974 recording, ELIS AND TOM brings together the brilliant Brazilian vocalist Elis Regina and the father of bossa nova, Antonio Carlos Jobim. Although Elis was a guest singer on some of Jobim's Creed Taylor-produced material, this was the first and only time the pair did a full-fledged duet album. Like the Taylor albums, WAVE and TIDE, ELIS AND TOM features a full orchestra. Very much unlike the Taylor albums, the orchestral coloring is kept to a bare, sensible minimum. Regina, who many feel was the finest female Brazilian jazz singer ever, works best in a sparse environment, and Jobim wisely tailors his arrangements to her strengths. The results are a sublime song cycle of material both old and new combining to create an overwhelming mood of melancholy. This is not saudade, the happy-sad feeling endemic to most bossa nova, but a darker and even more emotionally complex mood. The beauty of Regina's singing and Jobim's songs is lapidary, but some might find the record's tone a bit much to take in a single sitting.
Includes liner notes by Neil Tesser. |
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