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CD |
| 7.113 Ft
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| 1. | The Girl From Ipanema
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| 2. | Amor Em Paz (Once I Loved)
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| 3. | Agua De Beber
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| 4. | Vivo Sonhando (Dreamer)
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| 5. | O Morro Nao Tem Vez (AKA 'Favela')
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| 6. | Insensatez (How Insensitive)
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| 7. | Corcovado
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| 8. | Samba De Uma Nota So (One Note Samba)
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| 9. | Meditation
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| 10. | So Danco Samba (Jazz Samba)
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| 11. | Chega De Saudade
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| 12. | Desafinado
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Latin / Jazz; Bossa Nova; Brazilian Jazz
Recorded: May 9-10, 1963, A&R Studios, New York, New York
Antonio Carlos Jobim Guitar, Piano
George Duvivier Bass
Jimmy Cleveland (3-4, 9, 12) Trombone
Leo Wright Flute
Claus Ogerman Arranger, Conductor
Antonio Carlos Jobim, Brazilian composer of such popular songs at "Desafinado" and "The Girl From Ipanema," derived his unmistakable songwriting style from a very personal sense of melody and harmony, the magnificent songwriting traditions of Brazil, the rhythm of the samba, and American jazz. The Composer of "Desafinado", Plays was the LP Jobim created when the bossa nova wave hit the US. It showcases his own piano with string accompaniment (with results far different from the bossa nova efforts of Stan Getz, Joao Gilberto, et al). Remastered from the original three-track tape, Jobim's greatest songs are now in their best sound.
This disc offers instrumental interpretations of some of Jobim's most famous compositions from the salad days of the early '60s Bossa Nova craze. It's also one of the earliest examples of Jobim's long-standing and fruitful collaboration with arranger Claus Ogerman. Trademarks like Jobim's single-note piano style, the accompanying flute melodies and Ogerman's arranging techniques (unison string parts, the bass clarinet underpinnings in "How Insensitive") would decorate Jobim's music for the next two decades. Similarly representative are the authentic Bossa Nova guitar and drums, subtle variations of which occur on each tune. Throughout the recording, Jobim's songs are powerful enough for the melodies to stand up even sans lyrics.
This is part of the Verve Master Editions series.
Includes liner notes by Dom Cerulli, Johnny Mandel and Bob Belden. |
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