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3.665 Ft
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1. | Lonely Disco Dancer
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2. | When Love Comes Knockin'
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3. | One in a Million (Guy)
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4. | Gunshots in the Night
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5. | When You're in Love
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6. | That's the Way Love Should Feel
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7. | Give in to Love
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8. | Jody (Whoever You Are)
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Jazz R&B Smooth Soul Quiet Storm Philly Soul Disco
Dee Dee Bridgewater's final Elektra effort represents her most concentrated attempt at a crossover hit. A collaboration with Philly soul architect Thom Bell, this self-titled set bears all the hallmarks of the post-disco Philadelphia International sound, couching Bridgewater's potent vocals in a series of lush, sophisticated settings. The record's far from unlistenable, but Bridgewater never seems comfortable in this slick, pop-oriented context. A handful of jazzy ballads allow her to stretch out, but the more up-tempo numbers feel strained, and cuts like "Lonely Disco Dancer" have aged no better than such a title would suggest. --Jason Ankeny, AMG
Dee Dee Bridgewater
Active Decades: '60s, '70s, '80s, '90s and '00s Born: May 27, 1950 in Memphis, TN Genre: Jazz Styles: Disco, Contemporary Jazz, Crossover Jazz, Standards, Quiet Storm, Vocal Jazz, Smooth Soul
One of the best jazz singers of her generation, Dee Dee Bridgewater (who was married to trumpeter Cecil Bridgewater in the early '70s) had to move to France to find herself. She performed in Michigan during the 1960s and toured the Soviet Union in 1969 with the University of Illinois Big Band. She sang with the Thad JonesMel Lewis orchestra (1972-1974) and appeared in the Broadway musical The Wiz (1974-1976). Due to erratic records and a lack of direction, Dee Dee Bridgewater was largely overlooked in the jazz world by the time she moved to France in the 1980s. She appeared in the show Lady Day and at European jazz festivals, and eventually formed her own backup group. By the late '80s, Bridgewater's Verve recordings were starting to alert American listeners as to her singing talents. Her 1995 Horace Silver tribute disc (Love and Peace) is a gem and resulted in the singer extensively touring the U.S, reintroducing her to American audiences. She would find even more success with her tribute album, Dear Ella, which won a Grammy in 1997. ---Scott Yanow, All Music Guide |
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